1
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Who do you know, now, that would be dangerous?

2
00:00:36,124 --> 00:00:39,378
I have a friend and we both like to destroy everything we lay our hands on.

3
00:00:39,378 --> 00:00:41,964
There's no one like Quentin.

4
00:00:43,132 --> 00:00:44,299
But it's good that there is Quentin.

5
00:00:48,011 --> 00:00:49,555
He makes another kind of movies.

6
00:00:51,014 --> 00:00:53,016
Would you have the courage to use the word "crow" 
of a hundred

7
00:00:53,016 --> 00:00:54,935
ten times Christmas?

8
00:00:57,020 --> 00:00:59,147
Quentin loves strong female characters.

9
00:01:01,024 --> 00:01:03,819
It's brilliant, funny, and disturbing.

10
00:01:06,697 --> 00:01:08,949
The Mind of Quentin Tarantino,

11
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it is truly a center of creativity.

12
00:01:12,452 --> 00:01:13,412
Quentin's world.

13
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It's his "child".

14
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He described it.

15
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It's like a lightning rod.

16
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He is absolutely unique.

17
00:01:18,041 --> 00:01:19,835
He is the voice of his generation.

18
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It's the end of the Quentin era

19
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With the Weinstein Company.

20
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He will not disappear.

21
00:01:28,176 --> 00:01:29,636
That's why he keeps saying that he will make a total of ten films.

22
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Quentin is a champion of female characters.

23
00:01:35,851 --> 00:01:37,269
And not only that he creates them mentally,

24
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but it also has the possibility to achieve this.

24
00:01:47,569 --> 00:01:52,104
    QT8 - Quentin Tarantino – The First Eight

25
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And then there are the movies.

26
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That's what he says about himself,

27
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about how he sees the world

28
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about the purpose of his existence.

29
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Quentin is a kind of born director.

30
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It's his passion.

31
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It's how he connects with a full range of

32
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human feelings.

33
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And I think if you can follow the line

34
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his fascinations regarding the evolution of a human being throughout

35
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the path of the role's evolution is what matters to him,

36
00:02:24,316 --> 00:02:26,401
if you follow how he sees the racial problem in America...

37
00:02:26,401 --> 00:02:28,987
...how he understands love...

38
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...the commitment...

39
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...the honor...

40
00:02:31,448 --> 00:02:33,116
...betrayal,

41
00:02:33,116 --> 00:02:34,451
loyalty...

42
00:02:34,451 --> 00:02:36,453
...and how people should

43
00:02:36,453 --> 00:02:37,412
do what is right.

44
00:02:41,249 --> 00:02:44,252
It's definitely the end of an era.

45
00:02:44,252 --> 00:02:46,797
The Weinsteins were the distributor of every film of

46
00:02:46,797 --> 00:02:48,215
...him in the United States.

47
00:02:48,215 --> 00:02:49,967
The eight films, all these films,

48
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very successful.

49
00:02:52,844 --> 00:02:54,596
Surely that ensured his immortality.

24
00:03:00,269 --> 00:01:04,804
"Movies represent my religion and God is the one who patronizes me.
    When I make a film, I want it to represent everything for me;
    As if this is how QT dies for him

50
00:03:04,982 --> 00:03:07,609
A friend of mine introduced me to Quentin Tarantino,...

51
00:03:07,609 --> 00:03:08,110
...while all he did was

52
00:03:08,110 --> 00:03:11,071
fill video boxes at Imperial Entertainment.

53
00:03:11,071 --> 00:03:13,365
And when he presented it to me, he left the impression of a lock

54
00:03:13,365 --> 00:03:14,783
super zealous in his work.

55
00:03:14,783 --> 00:03:16,451
If you allow me to say this.

56
00:03:16,451 --> 00:03:17,160
But you know what?

57
00:03:17,160 --> 00:03:18,787
He had the talent to support his behavior.

58
00:03:18,787 --> 00:03:20,622
He slept on the couch at my house.

59
00:03:20,622 --> 00:03:22,541
I don't think having the car back then

60
00:03:22,541 --> 00:03:23,917
and he was penniless.

61
00:03:23,917 --> 00:03:26,003
"I want to get into the movie business.

62
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If I can write movie scripts?

63
00:03:27,087 --> 00:03:29,798
I'll try once too, because that's all it takes

64
00:03:29,798 --> 00:03:30,674
a pen and a piece of paper."

65
00:03:30,674 --> 00:03:31,341
I asked him if he wanted to write

66
00:03:31,341 --> 00:03:32,050
on the computer.

67
00:03:32,050 --> 00:03:33,468
He told me: "You can't write on a computer."

68
00:03:33,468 --> 00:03:34,136
I asked: "Why not?"

69
00:03:34,136 --> 00:03:35,762
And he said: "You can't write poems on a computer.

70
00:03:35,762 --> 00:03:37,514
My pen is my antenna to God.

71
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That's the way I write.

72
00:03:38,265 --> 00:03:39,516
That's how I feel, that everything seems to flow from him.

73
00:03:39,516 --> 00:03:40,559
Like a receiver."

74
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He had a red pen and a black pen,

75
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and a yellow notebook, and so it was written
dit-dit-dit-dit-dit-dit-dit.

76
00:03:46,106 --> 00:03:46,815
That was all.

77
00:03:46,815 --> 00:03:49,151
Five minutes later, he had written a dialogue that

78
00:03:49,151 --> 00:03:51,403
others would take a lifetime to write it.

79
00:03:51,403 --> 00:03:54,823
I think that Quentin is basically a novel writer

80
00:03:54,823 --> 00:03:58,201
and when he gets to direct a film, he actually adapts it

81
00:03:58,201 --> 00:03:59,828
his own novels for the big screen.

82
00:03:59,828 --> 00:04:02,122
And so a lot of different things were happening.

83
00:04:02,122 --> 00:04:04,416
It can be a roller coaster ride. 
- Oh, yes, dear.

84
00:04:04,416 --> 00:04:06,209
Or you will be terrified.

86
00:04:06,835 --> 00:04:09,379
Then you will feel relieved. 
- Come on, say something.

87
00:04:10,839 --> 00:04:12,340
Something.

88
00:04:12,340 --> 00:04:13,884
You will feel love.

89
00:04:13,936 --> 00:04:15,232
Or you will feel the feeling of love

90
00:04:16,136 --> 00:04:18,432
Quentin is above all a romantic.

90
00:04:20,432 --> 00:04:22,684
In the first screenplay he wrote for True Romance (1993),

91
00:04:22,684 --> 00:04:25,062
when Clarence saves Alabama, it represents the beginning of the rescue

92
00:04:25,062 --> 00:04:27,689
"princess", which ends when Django se

93
00:04:27,689 --> 00:04:29,357
return to save Broomhilda.

94
00:04:33,320 --> 00:04:37,074
The first script of his I read was Natural Born Killers.

95
00:04:37,074 --> 00:04:38,158
And when I read it, I only said:

96
00:04:38,158 --> 00:04:40,869
"Hey, this guy is amazing."

97
00:04:40,869 --> 00:04:42,370
Then I read the one from True Love.

98
00:04:42,370 --> 00:04:43,789
I said to myself: "What the hell is this?

99
00:04:43,789 --> 00:04:44,956
what the hell is going on

100
00:04:44,956 --> 00:04:46,416
What the hell is wrong with Hollywood?

101
00:04:46,416 --> 00:04:47,501
Where are all the screenwriters in town to see this?"

102
00:04:47,501 --> 00:04:50,212
You can take home a stack of twenty scripts to read over the weekend

103
00:04:50,212 --> 00:04:55,509
and keep looking in that pile for something that catches your eye,

104
00:04:55,509 --> 00:04:57,386
a page where you feel that the characters come to life,

105
00:04:57,386 --> 00:04:59,179
a page on which the dialogue does not seem trivial.

106
00:04:59,179 --> 00:05:01,014
Every young man would like to give you a script

107
00:05:01,014 --> 00:05:02,724
and you.. you...you with the best of intentions,

108
00:05:02,724 --> 00:05:04,059
tell him, God, I hope this is good.

109
00:05:04,059 --> 00:05:06,144
And then when you want to go to the second page it's like...

110
00:05:06,144 --> 00:05:08,522
oh i can't turn the page

111
00:05:08,522 --> 00:05:10,857
Because what is written is actually really... terrible.

112
00:05:10,857 --> 00:05:12,025
Not so with those written by Quentin.

113
00:05:12,025 --> 00:05:12,692
Out of place.

114
00:05:13,026 --> 00:05:15,320
Oh, those are brilliant scenarios.

115
00:05:15,320 --> 00:05:18,698
Can you imagine having to sell them just to pay your rent?

116
00:05:18,698 --> 00:05:21,493
I mean, wow...you get it.

117
00:05:21,493 --> 00:05:24,663
I read a lot.

118
00:05:24,663 --> 00:05:26,873
Especially about things

119
00:05:26,873 --> 00:05:27,749
related to history.

120
00:05:30,085 --> 00:05:32,170
I find them fascinating.

121
00:05:33,797 --> 00:05:34,506
And they seem very clear.

122
00:05:34,506 --> 00:05:36,716
I don't know if you know or not.

123
00:05:36,716 --> 00:05:37,300
Well...

124
00:05:40,637 --> 00:05:44,683
The Sicilians were replaced by blacks.

125
00:05:48,395 --> 00:05:52,649
Uh, can you repeat that?

127
00:05:55,402 --> 00:05:57,112
You look at the stuff Quentin wrote.

128
00:05:57,112 --> 00:05:59,156
If they had been staged, in theaters, they would have won the Pulitzer Prize.

129
00:05:59,156 --> 00:06:00,198
You know, but because it's movies,

130
00:06:00,198 --> 00:06:01,366
everyone said, "Well, he worked in a store that sold movies.

131
00:06:01,366 --> 00:06:01,825
He stole the idea from there."

132
00:06:01,825 --> 00:06:04,244
Of course, that gave an idea to a lot of workers

133
00:06:04,244 --> 00:06:05,036
from video stores,

134
00:06:05,036 --> 00:06:06,371
"Oh, well I'll be the next Tarantino."

135
00:06:06,371 --> 00:06:08,165
Well, basically, there is a Quentin

136
00:06:08,165 --> 00:06:09,291
and the rest is just...everyone.

137
00:06:10,417 --> 00:06:12,878
There are wonderful stories, wonderful characters.

138
00:06:12,878 --> 00:06:14,296
which appear later in these stories...

139
00:06:14,296 --> 00:06:16,506
Clearly, in True Romance,

140
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Clarence is a surrogate for Quentin.

141
00:06:19,968 --> 00:06:23,472
You can feel his love for cinema in his voice

142
00:06:23,472 --> 00:06:25,390
while he carries you so expertly through his films.

143
00:06:25,390 --> 00:06:27,392
 Oh! Ooh. There are only three moves in kung fu.

144
00:06:27,392 --> 00:06:30,437
In the original manuscript, his version for True Romence,

145
00:06:30,437 --> 00:06:32,147
it was a non-linear story.

146
00:06:32,147 --> 00:06:34,107
The public is more aware than the characters in the film and they are already sitting

147
00:06:34,107 --> 00:06:35,567
on the edge of their seat

148
00:06:35,567 --> 00:06:37,569
because they feel something bad is going to happen.

149
00:06:37,569 --> 00:06:41,156
Tony Scott made it linear,

150
00:06:41,156 --> 00:06:43,241
and that's why Quentin liked True Romance so much,

151
00:06:43,241 --> 00:06:45,160
but Clarence was dying in Quentin's version.

152
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Dear! 

153
00:06:47,537 --> 00:06:48,622
He sold the script to True Romance.

154
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He hoped that he would direct it.

155
00:06:49,873 --> 00:06:50,790
Dear!

156
00:06:50,790 --> 00:06:52,250
He was not chosen to do it.

157
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He didn't succeed with the script from Natural Born Killers either.

158
00:06:54,461 --> 00:06:56,755
Um, he didn't manage to direct that either.

159
00:06:56,755 --> 00:06:59,424
He wrote the screenplay for Reservoir Dogs, 

160
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with all the action happening in one place,

161
00:07:00,842 --> 00:07:02,385
so that no matter what happened

162
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to be able to direct this film

163
00:07:03,929 --> 00:07:05,597
with the twenty thousand dollars made from the rights

164
00:07:05,597 --> 00:07:09,351
from Golden Girls where he played an Elvis impersonator.

165
00:07:09,351 --> 00:07:17,401
I Do Love You With All My Heart.

166
00:07:18,401 --> 00:07:19,778
I read the script from

167
00:07:19,778 --> 00:07:23,531
Reservoir Dogs and I hoped the screenwriter

168
00:07:23,531 --> 00:07:25,659
who said he was going to direct it

169
00:07:25,659 --> 00:07:28,161
to really be a capable director.

170
00:07:28,161 --> 00:07:30,372
I introduced him to my friend, Lawrence Bender,

171
00:07:30,372 --> 00:07:36,878
and Lawrence got the Reservoir Dogs project off the ground.

172
00:07:36,878 --> 00:07:40,048
And Lawrence said, "Give me a month off.

173
00:07:40,048 --> 00:07:42,259
I know someone who knows Harvey Keitel."

174
00:07:42,259 --> 00:07:43,718
And Harvey said yes.

174
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"If you love movies enough, you can make a good one." 
                               -QT

175
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I was a gas station attendant, man.

176
00:08:06,908 --> 00:08:08,952
I was driving a tow truck and,

177
00:08:08,952 --> 00:08:12,747
uh, I played in Thelma and Louise

178
00:08:12,747 --> 00:08:16,293
and some episodes from some TV series.

179
00:08:16,293 --> 00:08:20,422
I got the script and, you know,

180
00:08:20,422 --> 00:08:23,258
I had never read anything like it in my life.

181
00:08:23,258 --> 00:08:25,885
All those guys who had color names.

182
00:08:25,885 --> 00:08:31,308
Mr. Brown, Mr. White, Mr. Yellow, Mr. blue,

183
00:08:31,308 --> 00:08:33,893
Mr. Orange and Mr. Pink.

184
00:08:33,893 --> 00:08:35,061
Why am I Mr. Pink?

185
00:08:35,061 --> 00:08:36,646
And I remember my agent telling me,

186
00:08:36,646 --> 00:08:40,608
"Well, you know, they're all going to kill each other at the end of the movie and

188
00:08:41,901 --> 00:08:44,612
there is no room in the budget...and, you know,

189
00:08:44,612 --> 00:08:47,282
no one has ever heard of this guy Quentin and...

190
00:08:47,282 --> 00:08:48,867
You had no way of knowing

191
00:08:48,867 --> 00:08:51,786
if a director who directs for the first time, can direct or not.

192
00:08:51,786 --> 00:08:52,954
You can never know that.

193
00:08:52,954 --> 00:08:56,916
But Quentin, even then, before making any films,

194
00:08:56,916 --> 00:08:59,586
he knew every actor's CV.

195
00:08:59,586 --> 00:09:00,754
This guy was right.

196
00:09:00,754 --> 00:09:03,131
I want this guy and this Lawrence Tierney

197
00:09:03,131 --> 00:09:04,966
who starred in Dillinger and I want that too.

198
00:09:04,966 --> 00:09:07,761
He determined who the cast members would be


199
00:09:07,761 --> 00:09:10,889
and everything turned out exactly as he wanted.

200
00:09:12,307 --> 00:09:14,601
I don't know why he considered me to play him

201
00:09:14,601 --> 00:09:18,521
Mr. Yellow, because I didn't want to play Mr. Yellow.

202
00:09:18,521 --> 00:09:21,691
I didn't want to get shot by Tim Roth, you see.

203
00:09:21,691 --> 00:09:23,485
I don't want to be killed by Tim Roth.

204
00:09:23,485 --> 00:09:26,321
I said something like, hey, "Who's Tim Roth?"

205
00:09:26,321 --> 00:09:28,073
I went and met him

206
00:09:28,073 --> 00:09:29,908
and...and with Harvey Keitel.

207
00:09:29,908 --> 00:09:33,078
And they wanted me to read the script and I didn't want to read it on the spot.

208
00:09:33,078 --> 00:09:35,664
I'm really bad at auditions.

209
00:09:35,664 --> 00:09:37,624
Does he have to memorize all of this?

210
00:09:37,624 --> 00:09:39,292
It's over four pages full of bullshit.

211
00:09:39,292 --> 00:09:40,960
And they forced me to do it, you know, they really forced me.

212
00:09:40,960 --> 00:09:43,171
So me and Quentin went and got something to eat

213
00:09:43,171 --> 00:09:45,632
and then some beer, then we went to a pub near my house

214
00:09:45,632 --> 00:09:46,674
where I got more beer.

215
00:09:46,674 --> 00:09:49,386
And I read every character in the script

216
00:09:49,386 --> 00:09:50,387
I don't know how many times.

217
00:09:51,429 --> 00:09:53,014
I would have let Harvey Keitel kill me,

218
00:09:53,014 --> 00:09:56,017
but no, I don't accept to be killed by Tim Roth.

219
00:10:03,942 --> 00:10:07,153
I was on the ground, full of blood

220
00:10:07,153 --> 00:10:09,030
in a quantity of blood greater than

221
00:10:09,030 --> 00:10:10,699
contains a human body.

222
00:10:10,699 --> 00:10:12,409
At the end of the day that day

223
00:10:12,409 --> 00:10:14,577
we have ..we...we hugged each other.

224
00:10:14,577 --> 00:10:16,996
And, you know, now we were both covered in blood,

225
00:10:16,996 --> 00:10:18,540
but what was the syrup, actually?

226
00:10:18,540 --> 00:10:19,457
It's...it's fake.

227
00:10:19,457 --> 00:10:21,668
It's blood for the scene and when it starts to dry

228
00:10:21,668 --> 00:10:23,920
a bit of it becomes extremely sticky.

229
00:10:23,920 --> 00:10:27,132
And we hugged each other like,

230
00:10:27,132 --> 00:10:29,634
you know, when the tall guy hugs a shorter guy

231
00:10:29,634 --> 00:10:32,011
and we couldn't separate ourselves anymore.

232
00:10:32,011 --> 00:10:33,638
We were stuck together.

234
00:10:35,598 --> 00:10:37,308
And the props were convinced that

235
00:10:37,308 --> 00:10:39,811
if we were forced to separate it would break

236
00:10:39,811 --> 00:10:42,063
the clothes on us, they didn't have either

237
00:10:42,063 --> 00:10:43,690
a large enough wardrobe budget.

238
00:10:43,690 --> 00:10:44,858
Actually, that was my costume.

239
00:10:46,901 --> 00:10:50,321
They told us to come to the filming dressed in a black suit and white shirt

240
00:10:50,321 --> 00:10:51,614
They gave us the ties.

241
00:10:51,614 --> 00:10:52,323
That's about it.

242
00:10:52,323 --> 00:10:53,867
And if you watch the movie carefully,

243
00:10:53,867 --> 00:10:57,162
see that Steve Buscemi had black jeans on.

244
00:10:57,162 --> 00:10:59,372
Which are not...no...they are not pants.

245
00:10:59,372 --> 00:11:01,624
It's black jeans, man.

246
00:11:01,624 --> 00:11:04,502
And my suit, jacket or pants,

247
00:11:04,502 --> 00:11:05,628
they didn't fit well.

248
00:11:05,628 --> 00:11:07,213
They were from two different suits.

249
00:11:07,213 --> 00:11:09,591
When I saw the movie, all I remember is

250
00:11:09,591 --> 00:11:11,176
because my pants were too tight, man.

251
00:11:11,176 --> 00:11:12,760
They used to drive me crazy during filming.

252
00:11:12,760 --> 00:11:14,846
And I didn't have black shoes.

253
00:11:14,846 --> 00:11:15,847
He wanted everyone to have black shoes.

254
00:11:15,847 --> 00:11:16,931
But I didn't have it.

255
00:11:16,931 --> 00:11:19,851
But I had some black cowboy boots.

256
00:11:19,851 --> 00:11:22,187
So the razor has arrived

257
00:11:22,187 --> 00:11:23,605
in the boot

258
00:11:23,605 --> 00:11:25,607
because what was I supposed to do with this razor?

259
00:11:25,607 --> 00:11:26,774
I had to take it out of the stocking.

260
00:11:26,774 --> 00:11:28,276
And you know what happened.

261
00:11:29,194 --> 00:11:31,905
In the script it was written: "Mr. Yellow is dancing

262
00:11:31,905 --> 00:11:35,200
maniacally around the handcuffed cop."

263
00:11:35,200 --> 00:11:38,119
And every time we had to rehearse to get to the part

264
00:11:38,119 --> 00:11:39,537
in which what was supposed to happen was about to happen

265
00:11:39,537 --> 00:11:41,873
I was like, "Quentin, I don't know what to do."

266
00:11:41,873 --> 00:11:43,124
And he was saying, "No, no, no.

267
00:11:43,124 --> 00:11:44,375
We'll...we'll do that part another day.

268
00:11:44,375 --> 00:11:45,502
We'll shoot it another day."

269
00:11:45,502 --> 00:11:47,420
He didn't want to, um, do his dance.

270
00:11:48,338 --> 00:11:49,047
He didn't want to do it.

271
00:11:49,881 --> 00:11:50,507
Something that has become iconic.

272
00:11:51,257 --> 00:11:51,841
Not?

273
00:11:51,841 --> 00:11:53,134
Yes. And I said, "Damn, man.

274
00:11:53,134 --> 00:11:55,595
I do it,"

275
00:11:55,595 --> 00:11:56,846
from the floor.

276
00:11:56,846 --> 00:12:00,600
I asked him, I said, um, "What's the music

277
00:12:00,600 --> 00:12:03,186
who's going to sing this whole thing?"

278
00:12:03,186 --> 00:12:05,313
And he said, "Well, well..."

279
00:12:05,313 --> 00:12:07,982
said, "I want, uh, that Stealers Wheel track.

280
00:12:07,982 --> 00:12:09,442
I want it to be "Stuck In The Middle."

281
00:12:09,442 --> 00:12:11,694
And I said, "Put it on so I can hear it."

282
00:12:11,694 --> 00:12:13,530
And they put on a bass speaker.

83
00:12:13,530 --> 00:12:16,824
As it appears even in the movie.

284
00:12:16,824 --> 00:12:20,161
So I slowly, slowly started to stand up and hum it while

285
00:12:20,161 --> 00:12:22,997
I was doing my version of a manic dance.

286
00:12:22,997 --> 00:12:27,126
Well, I don't know, I don't know where I got the idea of that dance...

287
00:12:27,126 --> 00:12:29,504
Honestly, I don't know where it came from.

288
00:12:29,504 --> 00:12:30,296
Honestly, I don't know.

289
00:12:30,296 --> 00:12:33,341
And I'm Wondering How I'll Get Down The Stairs

290
00:12:33,341 --> 00:12:35,009
I don't know how to dance, which is obvious,

291
00:12:35,009 --> 00:12:36,636
and...in a way...I let myself be led by the melody,

292
00:12:36,636 --> 00:12:37,762
because I felt that it should be done that way

293
00:12:37,762 --> 00:12:38,930
because I did not hear him say: "Cut".

294
00:12:38,930 --> 00:12:40,598
...Stuck In The Idle With You.

295
00:12:40,598 --> 00:12:42,183
I felt very respected.

296
00:12:42,183 --> 00:12:43,810
And the fact that he let me do this,

297
00:12:43,810 --> 00:12:45,562
I mean, I loved him for that.

298
00:12:45,562 --> 00:12:47,772
Even...the thing with the ear.

299
00:12:47,772 --> 00:12:50,817
He said to me, "Okay, come into the frame with your ear in your hand."

300
00:12:50,817 --> 00:12:53,236
So I walked into the frame and I had it in my hand,

301
00:12:53,236 --> 00:12:54,904
which was a scary moment, you know.

302
00:12:54,904 --> 00:12:56,656
oh god

303
00:12:56,656 --> 00:12:58,449
And he says, "Throw it away.

304
00:12:58,449 --> 00:12:58,908
I throw it away.

305
00:12:58,908 --> 00:12:59,826
Throw it away."

306
00:12:59,826 --> 00:13:02,453
And I didn't want to throw it away,

307
00:13:02,453 --> 00:13:05,456
but I couldn't think of anything interesting to do.

308
00:13:05,456 --> 00:13:07,458
So I spoke into it.

309
00:13:07,458 --> 00:13:08,501
"Hey, what's going on?"

310
00:13:08,501 --> 00:13:10,044
did you hear

311
00:13:10,044 --> 00:13:11,796
And then I threw it away.

312
00:13:11,796 --> 00:13:14,507
And I thought, God, if you were that guy,

313
00:13:14,507 --> 00:13:15,884
and if someone did that to you,

314
00:13:15,884 --> 00:13:17,302
how terrible would that be?

315
00:13:17,302 --> 00:13:18,886
It was a scary movie.

316
00:13:18,886 --> 00:13:20,305
As a viewer,

317
00:13:20,305 --> 00:13:23,057
I had never seen anything like it.

318
00:13:23,057 --> 00:13:28,438
It felt so new, so exciting

319
00:13:28,438 --> 00:13:31,107
and dynamic in the dialogue in the film.

320
00:13:31,107 --> 00:13:32,859
Fuck that thing.

321
00:13:32,859 --> 00:13:34,569
What the hell.. do you think you're doing?

322
00:13:34,569 --> 00:13:35,194
Give me back my card.

323
00:13:35,194 --> 00:13:36,487
I'm tired of hearing this.

324
00:13:36,487 --> 00:13:38,698
Joe, I'll give it back to you when I leave.

325
00:13:38,698 --> 00:13:39,991
What do you mean, when are we leaving?

326
00:13:39,991 --> 00:13:41,034
Give it back to me now.

327
00:13:41,034 --> 00:13:42,785
In the last fifteen minutes,

328
00:13:42,785 --> 00:13:46,414
you've been rambling on about names, Toby.

329
00:13:46,414 --> 00:13:47,165
Toby?

330
00:13:47,165 --> 00:13:48,916
Once we started filming Reservoir Dogs…

331
00:13:48,916 --> 00:13:49,709
...and I just remember

332
00:13:49,709 --> 00:13:51,544
that only two days had passed,

333
00:13:51,544 --> 00:13:55,256
I pulled Harvey Keitel aside and said:

334
00:13:55,256 --> 00:13:56,841
"Harvey, I'm so excited."

335
00:13:56,841 --> 00:13:58,926
And he said to him, "Well, why are you so excited?"

336
00:13:58,926 --> 00:14:01,387
And I said, "Well, I didn't imagine

337
00:14:01,387 --> 00:14:04,223
that what we do in this film would turn out better

338
00:14:04,223 --> 00:14:06,184
than what I imagined when I was alone

339
00:14:06,184 --> 00:14:08,311
in my room and I was reading the script."

340
00:14:08,311 --> 00:14:10,605
I have Madonna's big dick going into my left ear

341
00:14:10,605 --> 00:14:13,316
and Toby the trickster, I don't know why,

342
00:14:13,316 --> 00:14:14,359
it comes in from my right.

343
00:14:14,359 --> 00:14:16,569
And Harvey Keitel said, "Sure,

344
00:14:16,569 --> 00:14:17,528
that it's better than that.

345
00:14:17,528 --> 00:14:18,321
That's because I'm here."

347
00:14:19,113 --> 00:14:21,282
There is so much good in those actors.

348
00:14:21,282 --> 00:14:23,701
Not only visually, but, and not only

349
00:14:23,701 --> 00:14:26,120
what actors say, but also what they do

350
00:14:26,120 --> 00:14:29,999
how they do it and how the action unfolds.

351
00:14:29,999 --> 00:14:33,127
I think the reason why every critic

352
00:14:33,127 --> 00:14:36,923
and journalist went crazy for Reservoir Dogs

353
00:14:36,923 --> 00:14:38,549
and rightly so...

354
00:14:38,549 --> 00:14:42,595
it's like this was the debut of an extraordinary new voice.

355
00:14:42,595 --> 00:14:49,936
And, you know, it was for our 90s Indie cinema,

356
00:14:49,936 --> 00:14:52,689
you know, kind of like the equivalent of the French New Wave in the movies,

357
00:14:52,689 --> 00:14:55,733
something that broke any rules if it wanted to.

358
00:14:55,733 --> 00:14:56,859
It was thrilling.

360
00:15:03,199 --> 00:15:05,076
We were going back to our caravans.

361
00:15:05,076 --> 00:15:07,995
And I remember Harvey saying, "This is really good news, isn't it?"

362
00:15:07,995 --> 00:15:09,247
And...and...I said:

363
00:15:09,247 --> 00:15:11,290
"Yeah, she's damn good."

364
00:15:11,290 --> 00:15:13,042
Who's the tough guy now?

365
00:15:13,042 --> 00:15:15,044
Who is the tough guy?

366
00:15:15,044 --> 00:15:17,046
And he said to me: "No more cobies.

367
00:15:17,046 --> 00:15:17,588
No more cobies.

368
00:15:17,588 --> 00:15:18,381
Whatever you want to do, don't stop."

369
00:15:18,381 --> 00:15:19,424
I said, "Okay."

370
00:15:19,424 --> 00:15:23,010
But the word had already gone - related to this guy.

371
00:15:23,010 --> 00:15:24,679
So when we went to France with...

372
00:15:24,679 --> 00:15:25,596
..the movie Reservoir Dogs,

373
00:15:25,596 --> 00:15:28,558
who had...had been chosen to appear on the official selection list

374
00:15:28,558 --> 00:15:31,269
for the film festival, a very, very prestigious one

375
00:15:31,269 --> 00:15:32,687
especially for

376
00:15:32,687 --> 00:15:34,230
a director on his first film.

377
00:15:34,230 --> 00:15:35,940
So we went to France to the presentation of the film at the Palais,

378
00:15:35,940 --> 00:15:38,776
and for three days, before the presentation,

379
00:15:38,776 --> 00:15:41,696
Quentin, Lawrence and I walked around Cannes

380
00:15:41,696 --> 00:15:44,032
and on the Croisette and we looked at

381
00:15:44,032 --> 00:15:46,242
the movie posters and we went in to see some projections

382
00:15:46,242 --> 00:15:47,535
and just...hey.

383
00:15:47,535 --> 00:15:48,786
...let's have fun.

384
00:15:48,786 --> 00:15:53,124
And then our film was screened as a Midnight Special

385
00:15:53,124 --> 00:15:54,667
projection at the Palais.

386
00:15:54,667 --> 00:15:57,712
And the day after the screening,

387
00:15:57,712 --> 00:16:00,506
while I was walking on the street like any passerby

388
00:16:00,506 --> 00:16:02,467
like some lost summer lost there,

389
00:16:02,467 --> 00:16:04,886
we started hearing people shouting, "Tarantino!

390
00:16:04,886 --> 00:16:06,262
Tarantino!"

391
00:16:06,262 --> 00:16:09,849
And so the legend of Quentin began.

392
00:16:09,849 --> 00:16:13,186
The author was born somewhat as he should be,

393

00:16:13,186 --> 00:16:14,979
at Cannes.

394
00:16:14,979 --> 00:16:19,025
A day after the presentation, I received a call from Mario Kassar

395
00:16:19,025 --> 00:16:20,860
the head of the Carolco company (Independent Film Company) and told us

396
00:16:20,860 --> 00:16:23,946
"All our directors,

397
00:16:23,946 --> 00:16:27,325
um, they want to meet Quentin.

398
00:16:27,325 --> 00:16:30,995
To find out: "How was this movie made and who is this guy?"

399
00:16:30,995 --> 00:16:32,997
And I said, well, I'll bring it.

400
00:16:32,997 --> 00:16:36,834
So we went on his yacht and Renny Harlin

401
00:16:36,834 --> 00:16:39,003
and Oliver Stone and James Cameron

402
00:16:39,003 --> 00:16:42,090
and Paul Verhoeven were all there

403
00:16:42,090 --> 00:16:45,426
and they all wanted to meet Quentin.

404
00:16:45,426 --> 00:16:47,386
And suddenly Quentin not only got,

405
00:16:47,386 --> 00:16:48,596
a seat at their table,

406
00:16:48,596 --> 00:16:51,224
but all those present at that table showed themselves 

407
00:16:51,224 --> 00:16:53,392
very interested in Quentin.

408
00:16:53,392 --> 00:16:55,645
And that's how it all started.

409
00:16:55,645 --> 00:16:57,146
Quentin is back

410
00:16:57,146 --> 00:16:59,816
from Cannes, after the presentation of the film Reservoir Dogs.

411
00:16:59,816 --> 00:17:01,234
Being a fascinating story,

412
00:17:01,234 --> 00:17:03,569
and because he slept on my couch, right?

413
00:17:03,569 --> 00:17:05,947
I started getting asked by people from, uh,

414
00:17:05,947 --> 00:17:07,782
"Hollywood Reporter", "Variety",

415
00:17:07,782 --> 00:17:10,868
and from magazines like "L.A. Weekly",

416
00:17:10,868 --> 00:17:12,829
all sorts of things to include in the Reservoir Dogs articles.

417
00:17:12,829 --> 00:17:14,539
I couldn't believe how much they wanted to know.

418
00:17:14,539 --> 00:17:15,206
So he said to me: "Oh, stay like that.

419
00:17:15,206 --> 00:17:16,374
This is some kind of joke."

420
00:17:16,374 --> 00:17:18,084
I mean, he went to Cannes

421
00:17:18,084 --> 00:17:19,877
like any other independent director

422
00:17:19,877 --> 00:17:21,254
and returned as a star.

423
00:17:23,923 --> 00:17:26,717
Miramax was the company that stepped in to take over

424
00:17:26,717 --> 00:17:28,052
Reservoir Dogs.

425
00:17:28,052 --> 00:17:31,639
In the beginning, you know, Quentin being very determined because 

426
00:17:31,639 --> 00:17:34,934
no one, before, wanted to give him a chance, he thundered everyone.

427
00:17:34,934 --> 00:17:37,144
And so began the close bond between Quentin

428
00:17:37,144 --> 00:17:39,105
and the Weinstein Brothers.

429
00:17:42,525 --> 00:17:50,528
"The whole mystique related to film direction went 'poof.'
 I realized that I can do this." - QT

432
00:17:51,075 --> 00:17:53,202
I was in a room while I was doing it

433
00:17:53,202 --> 00:17:55,454
Reservoir Dogs

434
00:17:55,454 --> 00:17:57,540
and I saw him take out his agenda.

435
00:17:57,540 --> 00:17:58,749
And, you know,

436
00:17:58,749 --> 00:18:00,334
the way he makes his scripts.

437
00:18:00,334 --> 00:18:03,462
He began reading character lines and direction cues.

438
00:18:03,462 --> 00:18:04,922
I love you, Pumpkin.

439
00:18:04,922 --> 00:18:06,674
I love you too bunny.

440
00:18:06,674 --> 00:18:07,800
And that's Pulp Fiction.

441
00:18:07,800 --> 00:18:09,260
Everyone be calm. This is a robbery.

442
00:18:09,260 --> 00:18:09,969
What?

443
00:18:09,969 --> 00:18:14,140
If any of you bastards make a move I will execute him

444
00:18:14,140 --> 00:18:15,808
whoever it is, damn it.

445
00:18:15,808 --> 00:18:18,269
Quentin said: "This is my next project.

446
00:18:18,269 --> 00:18:21,824
That's what I'm going to do."

446
00:18:21,969 --> 00:18:23,424 
- Is it what I think it is? 

447
00:18:23,524 --> 00:18:25,860
There is a great desire present in many financiers

448
00:18:25,860 --> 00:18:29,238
to make Quentin's next film.

449
00:18:29,238 --> 00:18:30,573
I agreed

450
00:18:30,573 --> 00:18:32,283
uh, harvey weinstein agreed,

451
00:18:32,283 --> 00:18:33,993
uh, to finance the movie.

452
00:18:33,993 --> 00:18:37,246
They did not intervene in his material.

453
00:18:37,246 --> 00:18:40,620
There are the subjects

454
00:18:40,625 --> 00:18:45,129
and the dialogue in Quentin's films that no one else

455
00:18:45,129 --> 00:18:48,674
he couldn't use them, especially if he was white.

456
00:18:48,674 --> 00:18:50,051
You saw the sign in front of you

457
00:18:50,051 --> 00:18:52,053
of my house, on which it says: "Deposit of dead crows."?

458
00:18:52,053 --> 00:18:53,512
Jimmy, you know I haven't seen any shit.

459
00:18:53,512 --> 00:18:55,556
You saw the sign in front of my house

460
00:18:55,556 --> 00:18:58,100
on which it says: "Deposit of dead crows"?

461
00:18:58,100 --> 00:18:59,602
Not.

462
00:18:59,602 --> 00:19:01,938
I got the script and...

463
00:19:01,938 --> 00:19:02,605
...I was sitting too 

464
00:19:02,605 --> 00:19:04,023
I was looking at him.

465
00:19:04,023 --> 00:19:06,025
When I finished reading it I said to myself:

466
00:19:06,025 --> 00:19:08,778
"Oh, it can't possibly be such a good scenario."

467
00:19:08,778 --> 00:19:11,697
I only read my parts with myself because he told me to

468
00:19:11,697 --> 00:19:12,990
that he wrote this role especially for me.

469
00:19:12,990 --> 00:19:16,369
You know what a Hamburger Quarter Pounder with Cheese is called,

470
00:19:16,369 --> 00:19:17,703
uh, in paris?

471
00:19:17,703 --> 00:19:19,330
Isn't it also called Hamburger Quarter Pounder with Cheese?

472
00:19:19,330 --> 00:19:19,664
No, man.

473
00:19:19,664 --> 00:19:20,706
In France, the metric system of measurements is used.

474
00:19:20,706 --> 00:19:22,959
So I don't know what a Quarter means.

475
00:19:22,959 --> 00:19:23,918
And then what name did they give him?

476
00:19:23,918 --> 00:19:26,754
It's called, uh, Cheese Royale.

477
00:19:26,754 --> 00:19:28,130
Royale with Cheese.

478
00:19:28,130 --> 00:19:28,839
Is that so.

479
00:19:28,839 --> 00:19:30,716
The second time I read it I found it just as amazing.

480
00:19:30,716 --> 00:19:33,970
So I said to myself...

481
00:19:33,970 --> 00:19:35,596
good

482
00:19:35,596 --> 00:19:39,433
If Harvey Weinstein has the guts to make this movie,

483
00:19:39,433 --> 00:19:41,143
this movie is going to be amazing.

484
00:19:41,143 --> 00:19:42,895
I knew all my friends would love it.

485
00:19:42,895 --> 00:19:44,605
He had really built up a lot of fans

486
00:19:44,605 --> 00:19:47,316
on home video when Pulp Fiction came out.

487
00:19:47,316 --> 00:19:49,151
But I think he had already learned something too.

488
00:19:49,151 --> 00:19:51,153
To have a large audience watching his films

489
00:19:51,153 --> 00:19:53,906
when he arrived with them at film festivals,

490
00:19:53,906 --> 00:19:56,409
he realized that he had to offer the public

491
00:19:56,409 --> 00:19:58,494
the opportunity to laugh.

492
00:19:58,494 --> 00:20:00,496
The guy's head is blown on the back seat of the car.

493
00:20:00,496 --> 00:20:01,998
People burst out laughing at this shit and then 

494
00:20:01,998 --> 00:20:03,374
I say to myself: "Oh shit.

495
00:20:03,374 --> 00:20:04,208
Dear, I can't laugh at something like that."

496
00:20:04,208 --> 00:20:05,084
Oh!

497
00:20:05,084 --> 00:20:06,377
What the hell happened?

498
00:20:06,377 --> 00:20:08,212
Oh, man. Oh shit, man.

499
00:20:08,212 --> 00:20:09,797
Oh man, I shot Marvin in the face.

500
00:20:09,797 --> 00:20:11,007
Why the hell did you do that?

501
00:20:11,007 --> 00:20:14,635
It's cool because it's not a computer-generated image of blood

502
00:20:14,635 --> 00:20:17,596
He liked to use firecrackers and blood bags and stuff like that,

503
00:20:17,596 --> 00:20:21,684
so, even though I was 15 m away from the one where he was shooting,

504
00:20:21,684 --> 00:20:23,477
I could still be covered in blood splatters from the one he was shooting at, 

505
00:20:23,477 --> 00:20:25,104
and this even if I was on the other side of the room,

506
00:20:25,104 --> 00:20:27,064
which was really cool after all.

507
00:20:27,064 --> 00:20:28,566
Are you sending Wolf?

508
00:20:28,566 --> 00:20:30,985
Are you feeling better you bastard?

509
00:20:30,985 --> 00:20:33,029
Hell yes, crow.

510
00:20:33,029 --> 00:20:34,572
That's all you had to say.

511
00:20:35,906 --> 00:20:36,615
As if you had to call on

512
00:20:36,615 --> 00:20:38,034
someone because, you accidentally shot one

513
00:20:38,034 --> 00:20:39,994
blowing his head off, which is amazing,

514
00:20:39,994 --> 00:20:41,620
and which then becomes, like this,

515
00:20:41,620 --> 00:20:46,083
so blasé that he can clean the pieces of brain off the windshield.

516
00:20:46,083 --> 00:20:47,668
Oh man!

517
00:20:47,668 --> 00:20:50,129
I will never forgive you for this shit.

518
00:20:50,129 --> 00:20:51,672
Because he always intends to be funny,

519
00:20:51,672 --> 00:20:53,883
although the viewer would feel a little uncomfortable.

520
00:20:53,883 --> 00:20:54,884
Is it allowed to laugh at this?

521
00:20:54,884 --> 00:20:57,511
Am I sick in the head if I laugh at this?

522
00:20:57,511 --> 00:20:58,804
Do you understand how it happens with the public?

523
00:20:58,804 --> 00:21:01,974
And in Pulp Fiction, intentionally,

524
00:21:01,974 --> 00:21:03,684
let everyone treat this as a joke.

525
00:21:03,684 --> 00:21:05,311
They both look like two douchebags.

526
00:21:05,311 --> 00:21:07,438
Ha-ha-ha.

527
00:21:07,438 --> 00:21:08,981
These are the towels you gave us, you bastard.

528
00:21:08,981 --> 00:21:12,109
I can look at this scene and say that he is a typical character 
529
00:21:12,109 --> 00:21:13,152
of gangsters.

530
00:21:13,152 --> 00:21:15,196
That's the way he thinks,

531
00:21:15,196 --> 00:21:16,781
that's the way he talks and that's it

532
00:21:16,781 --> 00:21:17,907
the cadence in which he speaks.

533
00:21:17,907 --> 00:21:21,369
And I'll hit big

534
00:21:21,369 --> 00:21:25,706
the desire for revenge and anger
 those who try

535
00:21:25,706 --> 00:21:28,501
to poison and destroy my brothers.

536
00:21:28,501 --> 00:21:32,963
And because I spent so many years doing theater.

537
00:21:32,963 --> 00:21:36,884
And you shall know that my name is the Lord

538
00:21:36,884 --> 00:21:40,346
when I will pour out my anger on you.

539
00:21:40,346 --> 00:21:47,144
I love monologues.

540
00:21:47,144 --> 00:21:49,522
I remember when I initially gave this scenario

541
00:21:49,522 --> 00:21:50,815
to the Weinsteins, Harvey read it

542
00:21:50,815 --> 00:21:52,817
he called me and said: "You really are crazy.

543
00:21:52,817 --> 00:21:54,318
You killed the main character

544
00:21:54,318 --> 00:21:56,987
in the middle of the movie."

545
00:21:56,987 --> 00:22:01,075
I told him:

546
00:22:01,075 --> 00:22:01,826
"Keep reading."

547
00:22:01,826 --> 00:22:04,328
He told me: "But you can't kill the main character

548
00:22:04,328 --> 00:22:05,913
in the middle of the movie."

549
00:22:05,913 --> 00:22:07,206
I told him again: "Keep reading."

550
00:22:07,206 --> 00:22:08,541
He said, "Oh, my God.

551
00:22:08,541 --> 00:22:10,709
It reappears, doesn't it?"

552
00:22:10,709 --> 00:22:12,086
And he continues: "Does the film have a happy ending?"

553
00:22:12,086 --> 00:22:13,712
I told him: "It has a happy ending.

554
00:22:14,797 --> 00:22:17,383
And the beauty of Quentin is that when it comes time to film,

555
00:22:17,383 --> 00:22:20,886
even if he wrote it and designed it

556
00:22:20,886 --> 00:22:22,346
and knows which way to go...

557
00:22:23,639 --> 00:22:24,390
Hello?

558
00:22:25,474 --> 00:22:29,228
...the actors are a big part of this soup

559
00:22:29,228 --> 00:22:31,605
in which all the characters that appear in the film swim.

560
00:22:31,605 --> 00:22:32,356
Vincent?

561
00:22:34,733 --> 00:22:36,986
Vincent?

562
00:22:36,986 --> 00:22:38,988
I'm on the intercom.

563
00:22:38,988 --> 00:22:42,366
He had written the part too

564
00:22:42,366 --> 00:22:46,579
which John Travolta played in the film, for Michael Madsen.

565
00:22:46,579 --> 00:22:48,789
And Michael couldn't play that role.

566
00:22:48,789 --> 00:22:51,375
I was already employed in the filming of Wyatt Earp.

567
00:22:51,375 --> 00:22:53,836
And now Quentin wanted me to appear in Pulp Fiction.

568
00:22:53,836 --> 00:22:56,422
And both movies were shooting at the same time.

569
00:22:56,422 --> 00:22:58,757
Look at Travolta in Pulp Fiction.

570
00:22:58,757 --> 00:23:00,968
It is one of the most extraordinary interpretations

571
00:23:00,968 --> 00:23:04,305
in a film that is filled to the brim

572
00:23:04,305 --> 00:23:06,140
with extraordinary interpretations.

573
00:23:06,140 --> 00:23:11,228
John had to be convinced.

574
00:23:11,228 --> 00:23:12,897
But the moment they met,

575
00:23:12,897 --> 00:23:15,524
it was clear that fate had brought him

576
00:23:15,524 --> 00:23:16,525
to work together.

577
00:23:16,525 --> 00:23:20,404
It is not true that the appearance of John Travolta in the film,

578
00:23:20,404 --> 00:23:23,157
represented John's return to the screens.

579
00:23:23,157 --> 00:23:26,160
He had ended up making films about talking children,

580
00:23:26,160 --> 00:23:28,913
and suddenly, he's, you know, Vincent Vega.

581
00:23:28,913 --> 00:23:30,623
You know she was wearing that wig.

582
00:23:30,623 --> 00:23:34,627
No one had ever seen Travolta on screen with a gun in his hand

583
00:23:36,545 --> 00:23:38,839
And that was a big, huge reason

584
00:23:38,839 --> 00:23:39,965
for which movie this did so well.

585
00:23:39,965 --> 00:23:42,176
John Travolta can move like almost no one else.

586
00:23:43,719 --> 00:23:46,305
The dance scene that Quentin offers her

587
00:23:46,305 --> 00:23:51,977
she's so incredible because Quentin makes this guy

588
00:23:51,977 --> 00:23:53,270
to give everything he can and let him do it.

589
00:23:53,270 --> 00:23:55,147
That was deadly, man, that thing, and,

590
00:23:55,147 --> 00:23:56,857
uh, I couldn't have pulled something like that off,

591
00:23:56,857 --> 00:23:58,234
you know, from me.

592
00:23:58,234 --> 00:24:00,444
The twist wouldn't have been exactly the same.

593
00:24:00,444 --> 00:24:02,196
He should have changed that scenario

594
00:24:02,196 --> 00:24:04,031
because the dance competition would not have been won with me.

595
00:24:06,492 --> 00:24:08,160
When you're on set working with Quentin,

596
00:24:08,160 --> 00:24:11,913
you always seem to keep a very healthy distance

597
00:24:11,913 --> 00:24:14,291
between him and the producers.

598
00:24:14,291 --> 00:24:16,252
And what Quentin wanted, Quentin got,

599
00:24:16,252 --> 00:24:17,586
rightfully so.

600
00:24:18,546 --> 00:24:19,421
Action!

601
00:24:19,421 --> 00:24:20,673
We were involved a bit in the production of the film

602
00:24:20,673 --> 00:24:22,841
so Harvey Weinstein came to visit us on the set.

603
00:24:22,841 --> 00:24:26,428
I purposely wanted to take him to the set where I had created the Jack Rabbit place

604
00:24:26,428 --> 00:24:27,888
because we had conceived it.

605
00:24:27,888 --> 00:24:28,931
It was cool.

606
00:24:28,931 --> 00:24:30,349
It was very cinematic.

607
00:24:30,349 --> 00:24:33,102
Quentin is not the type to create "filming sets".

608
00:24:33,102 --> 00:24:35,312
He was like "find a suitable location and we'll do it there".

609
00:24:35,312 --> 00:24:38,232
And when I went in, I didn't tell Harvey what

610
00:24:38,232 --> 00:24:39,191
I'm filming now.

611
00:24:39,191 --> 00:24:41,026
I remember just looking at him and saying:

612
00:24:41,026 --> 00:24:42,945
"Welcome to Quentin's world."

613
00:24:42,945 --> 00:24:45,656
He just said, "What...what...what is this?

614
00:24:45,656 --> 00:24:47,074
This is crazy."

615
00:24:47,074 --> 00:24:49,660
You know that whole thing with the racetrack and the dancers,

616
00:24:49,660 --> 00:24:52,204
with the trophies and all those characters

617
00:24:52,204 --> 00:24:53,747
who imitated other characters.

618
00:24:55,124 --> 00:24:57,209
You know, Quentin got the image of some people out of his head

619
00:24:57,209 --> 00:25:01,088
who were sitting in the back seat of a 1957 Cadillac.

620
00:25:01,088 --> 00:25:04,383
Which, you know, Amos and Andy were supposed to be drinking cocktails.

621
00:25:04,383 --> 00:25:06,802
And he came up with these ideas in the same way

622
00:25:06,802 --> 00:25:08,345
in which he conceived his own scenarios.

623
00:25:09,888 --> 00:25:10,681
Um...

624
00:25:11,765 --> 00:25:14,435
This is really a tasty burger.

625
00:25:14,435 --> 00:25:17,104
Vincent, have you ever had a Big Kahuna burger?

626
00:25:17,104 --> 00:25:19,690
At the time when Pulp Fiction appeared, the film seemed

627
00:25:19,690 --> 00:25:21,650
that he was advertising his own imaginary products.

628
00:25:22,318 --> 00:25:23,485
Give me a packet of Red Apples.

629
00:25:23,485 --> 00:25:24,653
With a filter?

630
00:25:24,653 --> 00:25:25,779
Not.

631
00:25:25,779 --> 00:25:27,573
And then Red Apple cigarettes appeared.

632
00:25:27,573 --> 00:25:29,700
That's when the Kahuna Burger appeared.

633
00:25:29,700 --> 00:25:32,286
When all of that things started to happen.

634
00:25:32,286 --> 00:25:35,331
Red Apple cigarettes were not real cigarettes.

635
00:25:35,331 --> 00:25:36,915
It was a Quentin brand cigarette.

636
00:25:36,915 --> 00:25:39,877
It's a great moment for everything

637
00:25:39,877 --> 00:25:41,587
in Hateful Eight when...

638
00:25:41,587 --> 00:25:43,881
...Demian Bichir is standing

639
00:25:43,881 --> 00:25:45,424
behind the bar.

640
00:25:45,424 --> 00:25:49,136
And smokes a Red Apple cigarette.

641
00:25:49,136 --> 00:25:50,763
And he sat there smoking and said:

642
00:25:50,763 --> 00:25:51,388
"Hmm.

643
00:25:51,388 --> 00:25:52,348
This cigar is pretty good."

644
00:25:52,348 --> 00:25:53,474
Is that so.

645
00:25:53,474 --> 00:25:56,894
And we all got mad because he really wanted it

646
00:25:56,894 --> 00:25:58,729
to make a Red Apple moment.

647
00:25:58,729 --> 00:26:00,939
He had to make it himself.

648
00:26:00,939 --> 00:26:03,567
Everything from costumes to the smallest detail,

649
00:26:03,567 --> 00:26:05,652
from props to Red Apple packs,

650
00:26:05,652 --> 00:26:09,656
everything was arranged, nothing was left to chance

651
00:26:09,656 --> 00:26:11,492
in a Quentin movie.

652
00:26:11,492 --> 00:26:14,078
Remember the moment when they cut their strings

653
00:26:14,078 --> 00:26:15,788
when he was in the coffin.

654
00:26:15,788 --> 00:26:17,331
It's Mr. Yellow's razor.

655
00:26:17,331 --> 00:26:17,915
It's brilliant, isn't it?

656
00:26:17,915 --> 00:26:19,083
It's really cool.

657
00:26:19,083 --> 00:26:21,251
It's a little thing that you notice when you watch "Reservoir Dogs".

658
00:26:21,251 --> 00:26:22,419
When someone calls Mr. Alb,

659
00:26:22,419 --> 00:26:23,837
someone says, "How's Bama?"

660
00:26:23,837 --> 00:26:25,547
By the way, how's Alabama?

661
00:26:25,547 --> 00:26:26,465
Alabama?

662
00:26:27,758 --> 00:26:30,803
I haven't seen Bama in over a year and a half.

663
00:26:30,803 --> 00:26:32,805
And you understand that Alabama was gone,

664
00:26:32,805 --> 00:26:37,059
and met Mr. Alb, and found out about the bank robbery

665
00:26:37,059 --> 00:26:39,395
or the business of stealing jewels from him,

666
00:26:39,395 --> 00:26:41,647
and that they couldn't be together because she 

667
00:26:41,647 --> 00:26:43,232
he still loved Clarence and he will 

668
00:26:43,232 --> 00:26:45,359
love Clarence all your life.

669
00:26:45,359 --> 00:26:48,654
So all these characters live in a Quentin universe.

670
00:26:48,654 --> 00:26:51,156
And Vic from here, I want to say that he represented luck for us

671
00:26:51,156 --> 00:26:54,952
and for the others just bad luck.

672
00:26:54,952 --> 00:26:57,996
Vic Vega, Vincent Vega, The Vega Brothers.

673
00:26:57,996 --> 00:27:00,499
And, uh, what's your friend's name here?

674
00:27:00,499 --> 00:27:01,834
Vincent Vega.

675
00:27:01,834 --> 00:27:04,086
The film is not only about characters

676
00:27:04,086 --> 00:27:06,713
not just action and not just cinema,

677
00:27:06,713 --> 00:27:09,007
but also celluloid, because that's how you can see the film,

678
00:27:09,007 --> 00:27:11,260
and the soundtrack, which also

679
00:27:11,260 --> 00:27:15,013
amazing, he brings songs they know and reimagines them.

680
00:27:15,013 --> 00:27:16,056
Bow, bow, bow...

681
00:27:16,056 --> 00:27:20,477
...you'll be a woman soon.
... a woman...

682
00:27:20,477 --> 00:27:23,856
and you sit there and you can't

683
00:27:23,856 --> 00:27:27,401
he thinks he hears the song in a new way

684
00:27:27,401 --> 00:27:28,444
and the different form.

685
00:27:28,444 --> 00:27:30,112
He's Not Your Kind...

686
00:27:30,112 --> 00:27:32,948
And many of those songs were the background on the radio

687
00:27:32,948 --> 00:27:34,616
when you were a child or when you were an adult

688
00:27:34,616 --> 00:27:36,076
and you were in the car.

689
00:27:36,076 --> 00:27:39,163
Quentin takes them and sets them as a background,

690
00:27:39,163 --> 00:27:41,498
contrasting them with something

691
00:27:41,498 --> 00:27:42,791
to which the connection with has no sense.

692
00:27:44,501 --> 00:27:46,879
Or it is used to emphasize a scene.

693
00:27:46,879 --> 00:27:49,298
What he does are some very rich,

694
00:27:49,298 --> 00:27:52,009
and densely textured mosaics.

695
00:27:52,009 --> 00:27:54,511
If you try to dissect it, you will undoubtedly lose

696
00:27:54,511 --> 00:27:56,472
a lot of pieces from that mosaic and how they interact

697
00:27:56,472 --> 00:27:58,140
between them and how some make sense

698
00:27:58,140 --> 00:27:58,849
with the others.

699
00:27:58,849 --> 00:27:59,683
I remember I was

700
00:27:59,683 --> 00:28:02,102
on the set of From Dust Till Dawn, while 

701
00:28:02,102 --> 00:28:04,396
were filming, and I told him while Pulp Fiction 

702
00:28:04,396 --> 00:28:05,439
broke viewership records,

703
00:28:05,439 --> 00:28:07,107
I said, "Quentin, you got the idea

704
00:28:07,107 --> 00:28:07,691
how big will this movie be?

705
00:28:07,691 --> 00:28:10,652
And he said: "Yes, no".

707
00:28:11,487 --> 00:28:15,240
And the Palme d'Or is awarded to the film...

708
00:28:15,240 --> 00:28:16,283
...Pulp Fiction.

709
00:28:46,236 --> 00:28:51,154
"They steal from everywhere, great artists steal. And I don't pay tribute to the perpetrators"
QT

709
00:28:52,236 --> 00:28:54,154
What will you do after this masterpiece?

710
00:28:54,154 --> 00:28:55,656
When you know you're doomed, being famous already.

711
00:28:55,656 --> 00:28:56,698
you know

712
00:28:56,698 --> 00:28:59,952
after Citizen Kane, Welles changed the register

713
00:28:59,952 --> 00:29:01,078
making Magnificent Ambersons.

714
00:29:01,078 --> 00:29:02,329
Quentin made Pulp Fiction.

715
00:29:02,329 --> 00:29:05,499
He made one of the greatest films of the last half century.

716
00:29:05,499 --> 00:29:08,877
So what will he do next?

717
00:29:08,877 --> 00:29:13,090
A movie that in itself is really wonderful.

718
00:29:13,090 --> 00:29:15,259
They play with time, they play with characters,

719
00:29:15,259 --> 00:29:16,969
plays with your perceptions,

720
00:29:16,969 --> 00:29:19,596
and don't try to do something like Pulp Fiction.

721
00:29:19,596 --> 00:29:20,931
I know he has

722
00:29:20,931 --> 00:29:24,726
this strong influence in his life related to the exploitation of slaves.

723
00:29:24,726 --> 00:29:25,394
For God's sake.

724
00:29:25,394 --> 00:29:28,021
People say he does

725
00:29:28,021 --> 00:29:29,022
revenge movies.

726
00:29:29,022 --> 00:29:31,858
You know, there was a series of revenge movies, about

727
00:29:31,858 --> 00:29:33,694
how to get hold of the one who hurt you  

728
00:29:33,694 --> 00:29:35,946
or to pay with the same coin to the one who did you some harm.

729
00:29:35,946 --> 00:29:39,533
It's one of those things that makes his movies fun.

730
00:29:39,533 --> 00:29:41,326
And these are the things

731
00:29:41,326 --> 00:29:44,413
that influenced his early experience in the cinema,

732
00:29:44,413 --> 00:29:45,706
like me

733
00:29:45,706 --> 00:29:47,082
He revealed himself to me completely.

734
00:29:47,082 --> 00:29:49,209
He told me, "When I was a child,

735
00:29:49,209 --> 00:29:51,086
my mother used to date black guys.

736
00:29:51,086 --> 00:29:53,255
Her black acquaintances were trying to get along with my mother,

737
00:29:53,255 --> 00:29:57,301
and they would take me to, uh, see movies about slave exploitation

738
00:29:57,301 --> 00:29:58,719
to see them when I was a child.

739
00:29:58,719 --> 00:30:00,470
So, this is what I grew up with.

740
00:30:00,470 --> 00:30:05,225
So, I write scripts about what I've seen, about what's in my DNA,

741
00:30:05,225 --> 00:30:07,144
and that's what my characters are

742
00:30:07,144 --> 00:30:08,520
always very strong."

743
00:30:08,520 --> 00:30:09,646
You helped her, didn't you?

744
00:30:09,646 --> 00:30:10,564
Thus being educated, you grow

745
00:30:10,564 --> 00:30:11,940
naturally appreciating

746
00:30:11,940 --> 00:30:13,817
not like someone taught you to,

747
00:30:13,817 --> 00:30:16,778
to respect women and black people equally with you.

748
00:30:16,778 --> 00:30:18,614
It's not like anyone taught you that lesson.

749
00:30:18,614 --> 00:30:20,490
You know that's true.

750
00:30:20,490 --> 00:30:22,242
This is the way he sees the world,

751
00:30:22,242 --> 00:30:25,871
and he paints the world in the way that can be seen in his films.

752
00:30:25,871 --> 00:30:29,082
And so, the power consists in the fact that this is his truth.

753
00:30:29,082 --> 00:30:30,876
It's Jackie Brown

754
00:30:30,876 --> 00:30:34,002
an ode addressed to the films about the exploitation of slaves from that period.

756
00:30:34,004 --> 00:30:35,714
And who does he choose to play in the film?

757
00:30:35,714 --> 00:30:36,548
On Pam Grier.

758
00:30:37,591 --> 00:30:38,842
I had heard of Foxy Brown

759
00:30:38,842 --> 00:30:40,761
when he had played in Coffy and in all the films that Pam Grier had played.

760
00:30:40,761 --> 00:30:41,219
you know of course

761
00:30:41,219 --> 00:30:42,512
that Pam Grier had had a glorious career

762
00:30:42,512 --> 00:30:44,264
and before Quentin Tarantino.

763
00:30:44,264 --> 00:30:46,433
He just made it look...much cooler

764
00:30:46,433 --> 00:30:47,267
in my opinion.

765
00:30:47,267 --> 00:30:49,186
Pam Grier was a tough chick,

766
00:30:49,186 --> 00:30:49,811
do you understand what i mean?

767
00:30:49,811 --> 00:30:52,272
A Foxy Brown was out of place and that's not all,

768
00:30:52,272 --> 00:30:53,857
for you know, she came from Compton itself.

769
00:30:57,110 --> 00:30:59,738
Jackie Brown, for me, in the interpretation of her role

770
00:30:59,738 --> 00:31:02,157
amazing and beautiful

771
00:31:02,157 --> 00:31:04,368
And she is so strong

772
00:31:04,368 --> 00:31:07,496
and so dejected and desperate,

773
00:31:07,496 --> 00:31:09,581
and yet hard as steel.

774
00:31:09,581 --> 00:31:11,958
That is, he describes this woman as not at the mercy of anyone.

775
00:31:11,958 --> 00:31:15,295
In the last 45-50 years,

776
00:31:15,295 --> 00:31:19,675
women were not given a fair share in terms of,

777
00:31:19,675 --> 00:31:24,638
uh, the main roles in ... movies that we can see

778
00:31:24,638 --> 00:31:26,515
what a woman does when she becomes a vengeful nature.

779
00:31:26,515 --> 00:31:27,974
That's why you came here... to kill me.

780
00:31:27,974 --> 00:31:28,976
I didn't come here to kill you.

781
00:31:28,976 --> 00:31:29,726
Oh, it's okay, it's okay.

782
00:31:29,726 --> 00:31:30,310
It's OK.

783
00:31:31,478 --> 00:31:32,396
Now... I forgive you.

784
00:31:32,396 --> 00:31:33,897
That's the thing about dialogue at Quentin.

785
00:31:33,897 --> 00:31:34,981
Between two men, this kind of dialogue would work, some say,

786
00:31:34,981 --> 00:31:37,150
but, women don't really talk like that.

787
00:31:37,150 --> 00:31:38,276
And I laughed.

788
00:31:38,276 --> 00:31:40,988
Aw, because what's really cute... is that we're actually talking like that.

789
00:31:40,988 --> 00:31:43,490
Now, I have to do more than a year,

790
00:31:43,490 --> 00:31:45,951
you'll pay another hundred thousand dollars.

791
00:31:45,951 --> 00:31:47,452
The women came and asked us:

792
00:31:47,452 --> 00:31:48,245
"Oh my God.

793
00:31:48,245 --> 00:31:50,372
what does Tarantino mean - he's actually like a woman inside him?"

794
00:31:50,372 --> 00:31:51,498
I told them that yes, that in a way,

795
00:31:51,498 --> 00:31:52,708
it was a bit like a woman inside him.

796
00:31:52,708 --> 00:31:54,084
But also a little black.

797
00:31:54,084 --> 00:31:56,336
There is actually a lot of stuff inside it.

798
00:31:56,336 --> 00:31:59,256
If you think you know a lot

799
00:31:59,256 --> 00:32:02,300
about a movie or an actor or... or anything

800
00:32:02,300 --> 00:32:05,011
related to the history of cinema, he would be standing there in front of you

801
00:32:05,011 --> 00:32:08,807
he would smile and listen to you and then bury you

802
00:32:08,807 --> 00:32:10,600
in the multitude of things he knows.

803
00:32:10,600 --> 00:32:12,894
That's because Quentin didn't go to any film school.

804
00:32:12,894 --> 00:32:15,188
I think his film school made it the video archive

805
00:32:15,188 --> 00:32:19,609
and the endless number of movies he heard about and read about,

806
00:32:19,609 --> 00:32:22,988
uh, followed and, uh, which he enjoyed and told them about

807
00:32:22,988 --> 00:32:23,655
and others converting them.

808
00:32:23,655 --> 00:32:25,532
And it disappeared.

809
00:32:25,532 --> 00:32:28,744
The films that impressed him were of great diversity.

810
00:32:28,744 --> 00:32:30,746
Everyone was on Kowalski's trail

811
00:32:30,746 --> 00:32:33,415
He's crazy about Vanishing Point

812
00:32:33,415 --> 00:32:34,916
and movies like this.

813
00:32:34,916 --> 00:32:39,463
Then there's Moeshe.

814
00:32:39,463 --> 00:32:41,423
He loved the Moesha TV Show.

815
00:32:41,423 --> 00:32:42,591
Moshe.

816
00:32:42,591 --> 00:32:44,593
I would never have imagined this.

817
00:32:44,593 --> 00:32:46,845
And I think that's the case with all kinds of things.

818
00:32:46,845 --> 00:32:48,013
It's the same with food,

819
00:32:48,013 --> 00:32:51,600
He likes amazing high-class French cuisine

820
00:32:51,600 --> 00:32:53,810
but he is quick to eat a hotdog from Pink,

821
00:32:53,810 --> 00:32:56,354
and you know, honestly I think it's like that when it comes down to it

822
00:32:56,354 --> 00:32:57,314
of women.

823
00:32:57,314 --> 00:32:59,107
..Break my heart

824
00:32:59,107 --> 00:33:01,359
And make me sad.

825
00:33:01,359 --> 00:33:03,904
Tell me what I did wrong.

826
00:33:03,904 --> 00:33:05,489
He acts as if he loves you

827
00:33:05,489 --> 00:33:06,698
and you're a plump nigger

828
00:33:06,698 --> 00:33:08,533
with voluptuous hips, a gorgeous lady, he looks crazy,

829
00:33:08,533 --> 00:33:09,409
according to your voluptuous hips.

830
00:33:09,409 --> 00:33:10,911
My baby love...

831
00:33:11,787 --> 00:33:12,996
And if you're thin,

832
00:33:12,996 --> 00:33:15,290
skinny white model guy and he's in love with you

833
00:33:15,290 --> 00:33:17,626
he'll just think you're the hottest chick on the planet.

834
00:33:17,626 --> 00:33:19,419
He acts like a guy who appreciates anyone.

835
00:33:20,879 --> 00:33:22,589
He knows everybody.

836
00:33:22,589 --> 00:33:25,717
And when he meets an actor from my time,

837
00:33:25,717 --> 00:33:27,427
the time he grew up

838
00:33:27,427 --> 00:33:31,973
he amazes everyone and amazes me too, reminding me of the moments

839
00:33:31,973 --> 00:33:35,758
the things and scenes he remembers seeing with me.

841
00:33:35,977 --> 00:33:40,107
He also built a way to share his vision with others.

842
00:33:40,107 --> 00:33:41,691
It's not like they do it in a script.

843
00:33:41,691 --> 00:33:43,860
He only makes some small references.

844
00:33:43,860 --> 00:33:46,655
So that he ends up saying:

845
00:33:46,655 --> 00:33:49,407
"The warehouse should look something like this."

846
00:33:49,407 --> 00:33:52,244
Or, "Watch this movie that would be a reference for

847
00:33:52,244 --> 00:33:54,329
which I would like to try to do here."

848
00:33:54,329 --> 00:33:56,289
When you do any rehearsal with him,...

849
00:33:56,289 --> 00:33:58,416
...these references are discussed,

850
00:33:58,416 --> 00:34:01,545
specifically, he also indicates some scenes for you to watch.

851
00:34:01,545 --> 00:34:04,381
It's something that makes you not very happy 

852
00:34:04,381 --> 00:34:06,216
easy to work with.

853
00:34:06,216 --> 00:34:07,509
It's not about copying something  

854
00:34:07,509 --> 00:34:10,137
and it can be a big shit.

855
00:34:10,137 --> 00:34:12,055
And he doesn't even want to pay homage.

856
00:34:13,640 --> 00:34:16,643
He uses the tools of cinema to make

857
00:34:16,643 --> 00:34:18,728
something more resonant and a bigger cinema.

858
00:34:19,437 --> 00:34:23,066
Quentin uses movie vocabulary.

859
00:34:23,066 --> 00:34:24,818
If you look at the greatest creations in art,

860
00:34:24,818 --> 00:34:27,529
see what musicians do, what composers do,

861
00:34:27,529 --> 00:34:29,072
painters do, sculptors do.

862
00:34:29,072 --> 00:34:30,323
He what he always does, you know

863
00:34:31,992 --> 00:34:35,453
is to raise everything and continuously challenge everything.

864
00:34:35,453 --> 00:34:38,957
The detective was the genre in which I started playing.

865
00:34:38,957 --> 00:34:42,419
Old cars, old clothes, old benches, easy women,

866
00:34:42,419 --> 00:34:43,795
between these I was spinning.

867
00:34:43,795 --> 00:34:46,047
I was the cynical, but also humane detective.

868
00:34:46,047 --> 00:34:48,550
Robert Forster is Banyon.


869
00:34:48,550 --> 00:34:50,385
One of the things Quentin does is his

870
00:34:50,385 --> 00:34:51,928
spark talent in people all the time.

871
00:34:51,928 --> 00:34:53,096
You often see directors who 

872
00:34:53,096 --> 00:34:55,223
they revive old actors and make them do it

873
00:34:55,223 --> 00:34:56,141
which those actors have always done.

874
00:34:56,141 --> 00:35:01,688
What Quentin always does is push them further.

875
00:35:01,688 --> 00:35:03,315
It takes them to new places.

876
00:35:04,900 --> 00:35:06,943
It gives them a totally different occupation.

877
00:35:06,943 --> 00:35:09,154
When my career was at a very low ebb,

878
00:35:09,154 --> 00:35:10,530
Quentin appeared.

879
00:35:10,530 --> 00:35:13,575
He told me, "I'm adapting Rum Punch,

880
00:35:13,575 --> 00:35:16,620
Elmore Leonard's novel for the big screen."

881
00:35:16,620 --> 00:35:18,663
I told him: "I don't think they will let you

882
00:35:18,663 --> 00:35:20,540
hire me."

883
00:35:20,540 --> 00:35:23,460
During that period of my career, the distributors

884
00:35:23,460 --> 00:35:24,669
they didn't want to appear in a movie.

885
00:35:24,669 --> 00:35:26,588
They wanted, you know, someone with a better name like mine.

886
00:35:26,588 --> 00:35:29,299
And he said, and I'll never forget what he said...

887
00:35:29,299 --> 00:35:32,427
said: "I hire whoever I want."

888
00:35:32,427 --> 00:35:35,388
And that was the first moment when I said:

889
00:35:35,388 --> 00:35:38,725
"Wow, Bob, this is something that could change my life."

890
00:35:38,725 --> 00:35:41,061
Okay, before we start talking about flight attendants,

891
00:35:41,061 --> 00:35:42,854
let's get Beaumont out of our way.

892
00:35:42,854 --> 00:35:45,023
You know, I think someone already did.

893
00:35:45,023 --> 00:35:46,650
I got a call from my agents.

894
00:35:46,650 --> 00:35:49,143
And they told me that, uh,
Vince Gilligan is going to call me.

896
00:35:51,947 --> 00:35:53,073
I got the phone call.

897
00:35:53,073 --> 00:35:55,784
Vince said, "Uh, we got a role

898
00:35:55,784 --> 00:35:57,118
with the name "The Magician".

899
00:35:57,118 --> 00:35:59,746
A role that, in our opinion, is made for you, Robert Forster.

900
00:35:59,746 --> 00:36:01,414
Role that actually was 

901
00:36:01,414 --> 00:36:02,666
a big chance for me.

902
00:36:02,666 --> 00:36:03,875
It will take me

903
00:36:03,875 --> 00:36:06,544
some time to solve your new situation.

904
00:36:06,544 --> 00:36:08,171
Until then, you'll stay here.

905
00:36:08,171 --> 00:36:10,507
I have a place down there where you can sit.

906
00:36:10,507 --> 00:36:12,842
And, uh, this role was the direct result,

907
00:36:12,842 --> 00:36:14,427
of the appearance in Jackie Brown.

908
00:36:14,427 --> 00:36:18,974
People kept saying, this doesn't look like Pulp Fiction.

909
00:36:18,974 --> 00:36:20,850
No, hell, that's called Jackie Brown.

910
00:36:20,850 --> 00:36:22,852
It has a different development, it's a different story

911
00:36:22,852 --> 00:36:24,938
and it's about other types of people.

912
00:36:24,938 --> 00:36:27,732
Yes, there are some criminals in this movie,

913
00:36:27,732 --> 00:36:30,443
but it's really a smart movie about honest people

914
00:36:30,443 --> 00:36:32,404
at some point in their life, moment

915
00:36:32,404 --> 00:36:34,197
in which they have to make a choice of how they want to live

916
00:36:34,197 --> 00:36:35,031
the rest of their lives.

917
00:36:35,031 --> 00:36:36,491
It's a film about a crossroads in life.

918
00:36:36,491 --> 00:36:38,493
If you had the opportunity, being unemployed,

919
00:36:39,869 --> 00:36:42,580
of half a million dollars

920
00:36:43,999 --> 00:36:44,916
would you do it?

921
00:36:44,916 --> 00:36:48,294
Despite the minor violence in this film,

922
00:36:48,294 --> 00:36:52,048
it's a great story about some people trying

923
00:36:52,048 --> 00:36:53,466
to decide how they will live their lives.

924
00:36:57,220 --> 00:37:00,515
When Jackie Brown gets out of jail

925
00:37:00,515 --> 00:37:04,477
and it's a long walk to me

926
00:37:04,477 --> 00:37:07,355
accompanied by music...

927
00:37:11,776 --> 00:37:20,827
Why do I keep my mind on you all the time?

928
00:37:20,827 --> 00:37:21,828
And I don't even know you...

929
00:37:21,828 --> 00:37:24,706
...watch this guy fall in love

930
00:37:24,706 --> 00:37:25,790
by a woman.

931
00:37:28,001 --> 00:37:32,505
I can't tell you how emotional this scene was,

932
00:37:32,505 --> 00:37:35,008
and how hard it is for a director to do it.

933
00:37:35,008 --> 00:37:37,218
They never do that.

934
00:37:37,218 --> 00:37:39,679
Of all these films, Jackie Brown is in a way

935
00:37:39,679 --> 00:37:41,056
the best.

936
00:37:41,056 --> 00:37:43,975
Yes, it is for me, for its cinematic beauty

937
00:37:43,975 --> 00:37:47,187
and the delicacy of that story so special.

938
00:37:47,187 --> 00:37:48,772
...Baby.

939
00:37:48,772 --> 00:37:49,647
Hmm.

940
00:37:49,647 --> 00:37:50,899
Gave You the love You Never Knew, Girl

941
00:37:50,899 --> 00:37:52,776
Who sings this song?

942
00:37:52,776 --> 00:37:54,444
The Delphonics. 
- Didn't Do It Baby...

943
00:37:56,696 --> 00:37:57,530
It's beautiful.

944
00:37:57,530 --> 00:37:58,365
Mm-hmm.

945
00:38:03,127 --> 00:38:10,029
"I'm not trying to induce absurdities in anyone's head...
 people understand why I make these kinds of films."
QT
 945
00:38:11,127 --> 00:38:12,629
The main influences in Kill Bill

946
00:38:12,629 --> 00:38:19,427
are the best achievements in Hong Kong cinema.

947
00:38:19,427 --> 00:38:20,804
Quentin is in love

948
00:38:20,804 --> 00:38:22,097
of culture.

949
00:38:22,097 --> 00:38:23,848
When he does the martial arts sequences,

950
00:38:23,848 --> 00:38:27,477
he recreates the energy and participates as

951
00:38:27,477 --> 00:38:29,729
someone who is terribly excited when looking at these.

952
00:38:31,189 --> 00:38:33,608
The last script Quentin gave me was Kill Bill...

953
00:38:33,608 --> 00:38:34,192
And it was almost the size

954
00:38:34,192 --> 00:38:35,610
a phone book.

955
00:38:35,610 --> 00:38:36,319
Do you still remember this?

956
00:38:37,529 --> 00:38:39,489
Based on the BRIDE character created by Q and U 

957
00:38:40,698 --> 00:38:42,700
in which U comes from Uma.

958
00:38:42,700 --> 00:38:44,744
I told him the BRIDE 

959
00:38:44,744 --> 00:38:45,954
because of the dress.

960
00:38:45,954 --> 00:38:48,832
You could tell she was pregnant.

962
00:38:50,625 --> 00:38:53,253
That woman deserved revenge and...

963
00:38:53,253 --> 00:38:54,629
and we all deserved to die.

964
00:38:54,629 --> 00:38:57,090
I could see the faces of the whores

965
00:38:57,090 --> 00:39:01,886
who did this to me and the people responsible.

966
00:39:01,886 --> 00:39:03,513
It reads like a novel.

967
00:39:03,513 --> 00:39:04,556
It was funny.

968
00:39:04,556 --> 00:39:06,349
He had so much action in him,

969
00:39:06,349 --> 00:39:08,434
you know, that you read it non-stop, because 

970
00:39:08,434 --> 00:39:09,435
you couldn't put it down.

971
00:39:09,435 --> 00:39:10,186
He clearly shows me how to read it.

972
00:39:10,186 --> 00:39:10,603
So I was, wait...

973
00:39:10,603 --> 00:39:12,605
Ok, I'll read it to find out

974
00:39:12,605 --> 00:39:14,399
what I had to do.

975
00:39:14,399 --> 00:39:17,068
And I started reading and I forgot

976
00:39:17,068 --> 00:39:19,154
what stunts was I going to do and I started reading

977
00:39:19,154 --> 00:39:19,863
everything again.

978
00:39:19,863 --> 00:39:21,156
This has happened to me four times.

979
00:39:21,156 --> 00:39:22,991
That was the first time I had that kind of

980
00:39:22,991 --> 00:39:26,119
professional moment of "Holy God.

981
00:39:26,119 --> 00:39:27,912
I'm going to be a part of something magical."

982
00:39:35,420 --> 00:39:38,798
Quentin had Boomer in this part of The Bride

983
00:39:38,798 --> 00:39:40,925
and Zoe on the other side of the Bride.

984
00:39:40,925 --> 00:39:43,052
Whoever was in front of the camera was just a particle

985
00:39:43,052 --> 00:39:44,387
of the same whole.

986
00:39:44,387 --> 00:39:46,347
I did the scene where she runs up

987
00:39:46,347 --> 00:39:47,182
on the railing.

988
00:39:47,182 --> 00:39:48,516
And he came to me and asked me:

989
00:39:48,516 --> 00:39:50,560
"So, what are you going to do in this sequence?"

990
00:39:50,560 --> 00:39:53,188
And I told him that I will run up the railing.

991
00:39:53,188 --> 00:39:54,230
And he said: "Yes it is, but why?"

992
00:39:54,230 --> 00:39:57,317
And that was like, a trap question.

993
00:39:57,317 --> 00:39:58,318
So I said: Because this is my job."

994
00:39:58,318 --> 00:39:59,068
And he said, "No,

995
00:39:59,068 --> 00:40:01,529
why is the Bride running up the railing?"

996
00:40:01,529 --> 00:40:04,782
And then I said, "Oh, to get to O-Ren."

997
00:40:04,782 --> 00:40:07,368
And he said, "And why is she trying to get to O-Ren?"

998
00:40:08,578 --> 00:40:10,079
It seemed as if everything now became a kind of acting dialogue,

999
00:40:10,079 --> 00:40:12,665
for my run up the railings,

1000
00:40:12,665 --> 00:40:14,250
now it was done with an intention.

1001
00:40:14,250 --> 00:40:16,002
Now I had a reason besides the fact

1002
00:40:16,002 --> 00:40:17,795
that I had to do it properly from a technical point of view.

1003
00:40:17,795 --> 00:40:20,215
That was always super important to Quentin,

1004
00:40:20,215 --> 00:40:21,925
"because that bitch ruined my life

1005
00:40:21,925 --> 00:40:22,884
and I want her to die."

1006
00:40:27,138 --> 00:40:30,308
The fact that he was putting women in these powerful

1007
00:40:30,308 --> 00:40:33,603
positions was not something he necessarily wanted

1008
00:40:33,603 --> 00:40:35,813
to appear too prominent, like a poster or a billboard.

1009
00:40:35,813 --> 00:40:37,440
To him, of course, it made sense

1010
00:40:37,440 --> 00:40:41,319
for women like this to be fighters or leaders.

1011
00:40:41,319 --> 00:40:42,278
He does so and it seems to him,

1012
00:40:42,278 --> 00:40:43,196
that such a thing is natural.

1013
00:40:43,196 --> 00:40:46,324
It's a very interesting topic of conversation to have these days,

1014
00:40:47,242 --> 00:40:50,995
about "feminine power" and the quality of feelings

1015
00:40:50,995 --> 00:40:53,748
that get stuck in these characters.

1016
00:40:53,748 --> 00:40:57,627
The biggest attempt was to make us look normal

1017
00:40:57,627 --> 00:41:00,505
when I was in leadership positions but also when

1018
00:41:00,505 --> 00:41:01,839
we were face to face in the fight.

1019
00:41:02,882 --> 00:41:06,177
Only in those moments do you realize that Quentin is an invaluable ally.

1020
00:41:06,177 --> 00:41:08,346
And I think he should say in his interviews:

1021
00:41:08,346 --> 00:41:09,973
"Listen, women should have these roles

1022
00:41:09,973 --> 00:41:10,306
and women..."

1023
00:41:10,306 --> 00:41:13,184
And he shouldn't exaggerate with that either

1024
00:41:13,184 --> 00:41:15,436
because that's exactly how he presents them in his films.

1025
00:41:15,436 --> 00:41:18,064
Now if any of you bastards

1026
00:41:18,064 --> 00:41:22,694
he still has something to say, now is the time to do it!

1027
00:41:22,694 --> 00:41:27,073
O-Ren Ishii is a survivor.

1028
00:41:31,953 --> 00:41:35,915
She is a woman who will probably never die

1029
00:41:35,915 --> 00:41:37,875
peacefully at an advanced age.

1030
00:41:37,875 --> 00:41:39,544
He swore revenge.

1031
00:41:40,503 --> 00:41:42,547
So it makes sense that in the end,

1032
00:41:42,547 --> 00:41:44,841
it is a great honor to be killed

1033
00:41:44,841 --> 00:41:46,509
with a Hattori Hanso sword.

1034
00:41:50,805 --> 00:41:53,182
Uma worked hard and it had already been a long time

1035
00:41:53,182 --> 00:41:55,685
subjected to training before I arrived in the team.

1036
00:41:55,685 --> 00:41:57,061
She had a crazy busy schedule.

1037
00:41:57,061 --> 00:41:58,855
She appeared in almost every sequence.

1038
00:41:58,855 --> 00:42:01,482
We were filming in Beijing.

1039
00:42:01,482 --> 00:42:02,734
And she had a baby to take care of.

1040
00:42:03,901 --> 00:42:06,863
She was subjected to intense physical pressure.

1042
00:42:08,906 --> 00:42:10,158
cut Good.

1043
00:42:10,158 --> 00:42:10,700
It was excellent.

1044
00:42:10,700 --> 00:42:11,242
Excellent.

1046
00:42:14,620 --> 00:42:17,123
He looked like, you know, he was in pain, for long periods of time.

1047
00:42:17,123 --> 00:42:19,834
He had all kinds of cuts and bruises,

1048
00:42:19,834 --> 00:42:20,209
and other things like that.

1049
00:42:20,209 --> 00:42:22,587
That was part of her... role.

1050
00:42:22,587 --> 00:42:23,713
It makes you feel good to be tough.

1051
00:42:23,713 --> 00:42:25,631
It gives you a strange feeling of liberation.

1052
00:42:25,631 --> 00:42:27,258
Yes, I'm bleeding.

1053
00:42:27,258 --> 00:42:27,884
But keep filming.

1054
00:42:28,968 --> 00:42:32,555
The fight between Uma and, uh,

1055
00:42:32,555 --> 00:42:35,600
Vivica Fox in Kill Bill is,

1056
00:42:35,600 --> 00:42:37,810
without a doubt, the hardest fight

1057
00:42:37,810 --> 00:42:40,146
between two women that was ever based on a film.

1058
00:42:40,146 --> 00:42:41,731
She is insanely good.

1059
00:42:52,116 --> 00:42:54,535
Vivica and Uma both were so great in that scene.

1060
00:42:54,535 --> 00:42:55,870
When would it suit me?
there and watch

1061
00:42:55,870 --> 00:42:57,372
When I was sitting and watching them, I had forgotten that I was there to do my job.

1062
00:42:57,372 --> 00:42:58,664
When the daughter appears in the frame coming towards the door,

1063
00:42:58,664 --> 00:43:00,875
I was like, "My God, what a wonderful sequence."

1064
00:43:00,875 --> 00:43:04,128
Mother versus murder, changing her attitude 

1065
00:43:04,128 --> 00:43:06,381
in a moment. Perfect.

1066
00:43:07,090 --> 00:43:08,216
Mom, I'm home.

1067
00:43:08,216 --> 00:43:09,717
hey baby

1068
00:43:09,717 --> 00:43:11,260
how was school

1069
00:43:11,260 --> 00:43:12,762
It softens that whole atmosphere.

1070
00:43:12,762 --> 00:43:13,721
It's simply amazing.

1071
00:43:13,721 --> 00:43:15,264
And...and...and...see how the Bride's attitude also changes,

1072
00:43:15,264 --> 00:43:17,100
because she knows, you know, what a mother is like.

1073
00:43:18,184 --> 00:43:19,185
It's just brilliant.

1074
00:43:19,185 --> 00:43:22,355
He is an absolutely and irrevocably brilliant man.

1075
00:43:22,355 --> 00:43:25,483
The vice and malice are present and yet their femininity

1076
00:43:25,483 --> 00:43:27,276
he did not spare them even a second.

1077
00:43:28,611 --> 00:43:30,613
It's all just a matter of presentation.

1078
00:43:30,613 --> 00:43:32,407
You open a shoji door and then,

1079
00:43:32,407 --> 00:43:35,201
suddenly, you find yourself in a winter landscape in the land of "wonders".

1080
00:43:37,620 --> 00:43:42,041
He worked with designers to create this

1081
00:43:42,041 --> 00:43:44,836
wonderful visual effect, which turned into a wonderful

1082
00:43:44,836 --> 00:43:47,380
background for what we were going to do.

1083
00:43:49,215 --> 00:43:50,633
It's that bamboo water fountain.

1084
00:43:50,633 --> 00:43:52,593
Which acts almost like a metronome.

1085
00:43:53,386 --> 00:43:57,473
It was absolutely wonderful.

1086
00:43:57,473 --> 00:43:59,725
it was like watching something from another time.

1087
00:44:01,060 --> 00:44:02,937
It's one of the perfect examples of movie magic

1088
00:44:02,937 --> 00:44:06,274
which is practically so difficult to obtain.

1089
00:44:07,066 --> 00:44:10,236
The snow that was used made breathing very difficult.

1090
00:44:10,236 --> 00:44:11,237
So between filming sequences,

1091
00:44:11,237 --> 00:44:13,781
we were wearing some protective masks and, you know,

1092
00:44:13,781 --> 00:44:15,908
our tracks had to be continuously covered.

1093
00:44:18,870 --> 00:44:22,540
And... action!

1094
00:44:22,540 --> 00:44:23,541
Women work for him.

1095
00:44:23,541 --> 00:44:26,461
They are extremely loyal to him because he actually

1096
00:44:26,461 --> 00:44:28,212
he is very protective of them.

1097
00:44:28,212 --> 00:44:29,547
It promotes them.

1098
00:44:29,547 --> 00:44:31,340
He works creatively with them.

1099
00:44:31,340 --> 00:44:33,301
And when you look at the female characters

1100
00:44:33,301 --> 00:44:34,510
from his films,

1101
00:44:34,510 --> 00:44:36,387
they are all really remarkable.

1102
00:44:37,221 --> 00:44:38,181
And cut! okay?

1103
00:44:38,181 --> 00:44:39,891
Yes. Wonderful!

1104
00:44:43,644 --> 00:44:44,520
You girls were wonderful.

1105
00:44:44,520 --> 00:44:45,771
It was great.

1106
00:44:45,771 --> 00:44:47,190
Part of me feels like I shouldn't talk yet

1107
00:44:47,190 --> 00:44:50,276
about it because I wouldn't want people to know everything.

1108
00:44:50,276 --> 00:44:54,030
It was the camera angle

1109
00:44:54,030 --> 00:44:56,657
who sold the fact that, my head was cut off

1110
00:44:57,617 --> 00:45:00,453
in such a way that it seemed that his tip had disappeared.

1111
00:45:00,453 --> 00:45:01,787
And when you see something like that in the movie,

1112
00:45:01,787 --> 00:45:03,539
it's the same as how
angels would sing.

1113
00:45:08,377 --> 00:45:09,962
It's something really nice to understand

1114
00:45:09,962 --> 00:45:11,756
that...this is done with the help of the camera.

1115
00:45:14,717 --> 00:45:16,052
That was what could practically be done

1116
00:45:16,052 --> 00:45:18,095
because you know Quentin no, he's not a fan

1117
00:45:18,095 --> 00:45:20,473
of using the electronic effect of blood when possible.

1118
00:45:21,729 --> 00:45:24,831
  Quentin asked Uma to do it herself 
   the car driving stunt in Kill Bill

1118
00:45:26,229 --> 00:45:28,231
He was madly in love with Uma.

1119
00:45:29,899 --> 00:45:32,860
And no one is more enthusiastic than Quentin.

1120
00:45:32,870 --> 00:45:36,239
I mean, he acts like a child when he gets preoccupied with something.

1121
00:45:36,243 --> 00:45:37,949
Sometimes you do stupid things.

1118
00:45:38,129 --> 00:45:40,231
With Uma at the wheel, the car crashed  

1118
00:45:40,249 --> 00:45:46,231
Uma suffered severe blows to the neck and knees

1118
00:45:46,729 --> 00:45:49,231
The stunt team had not been summoned to the set that day

1122
00:45:49,502 --> 00:45:51,963
Such things can happen in this business.

1123
00:45:51,963 --> 00:45:57,218
You can plan everything in the smallest details and have very good people.

1124
00:46:00,221 --> 00:46:02,306
There is also the element called human error.

1118
00:46:06,729 --> 00:46:08,231
I was scared

1118
00:46:08,231 --> 00:46:10,931
By far one of the biggest regrets of my career

1118
00:46:10,931 --> 00:46:12,931
It represents one of the biggest regrets in my life
                                                        QT

1125
00:46:13,059 --> 00:46:14,402
Everyone thinks it is 

1126
00:46:14,402 --> 00:46:16,404
fun to make movies.

1127
00:46:17,238 --> 00:46:18,990
And everyone was damn happy to be on one

1128
00:46:18,990 --> 00:46:21,576
set with Quentin Tarantino.

1129
00:46:21,576 --> 00:46:23,995
And everyone was just as damn happy to be

1130
00:46:23,995 --> 00:46:26,205
represented and distributed by Harvey Weinstein

1118
00:46:26,429 --> 00:46:28,231
Uma requested the sequence of the accident from the producers

1118
00:46:28,249 --> 00:46:30,631
It was not given to him

1118
00:46:32,129 --> 00:46:34,781
The coverage of the event is unforgivable
                                      Uma Thurman

1132
00:46:34,797 --> 00:46:37,300
What was strange about Harvey,

1133
00:46:37,300 --> 00:46:39,010
and this was true in his relationship with

1134
00:46:39,010 --> 00:46:41,220
competitors and with people,

1135
00:46:41,220 --> 00:46:43,848
it was ... the attitude of a bully and how much he liked to show it.

1136
00:46:43,848 --> 00:46:48,019
He had this enormous power, which,

1137
00:46:49,687 --> 00:46:52,648
he was aware that he had

1138
00:46:52,648 --> 00:46:55,484
and I know he used it consciously,

1139
00:46:57,820 --> 00:47:01,115
but if he realized he was using her

1140
00:47:01,115 --> 00:47:04,619
in such a restrictive way,

1141
00:47:04,619 --> 00:47:06,245
I don't know that anymore.

1142
00:47:06,245 --> 00:47:08,831
I'm going to tell you a funny thing that happened in Cannes.

1143
00:47:08,831 --> 00:47:11,417
I went to a little reception with Quentin.

1144
00:47:11,417 --> 00:47:13,878
And Harvey also appears, appears from a corner of the room

1145
00:47:13,878 --> 00:47:16,631
sweating, sweating profusely.

1146
00:47:16,631 --> 00:47:19,300
And he had a very angry face, you know.

1147
00:47:19,300 --> 00:47:21,344
When they saw Harvey Weinstein in such a state of mind,

1148
00:47:23,262 --> 00:47:25,514
everyone practically froze.

1149
00:47:25,514 --> 00:47:27,516
And just before Harvey showed up,

1150
00:47:27,516 --> 00:47:29,518
Quentin had just introduced me to Harvey's wife

1151
00:47:29,518 --> 00:47:30,561
and his little girl.

1152
00:47:30,561 --> 00:47:33,981
And the little girl had a doll in her hand

1153
00:47:33,981 --> 00:47:37,443
and she gave me the doll while we were talking.

1154
00:47:37,443 --> 00:47:40,905
So I was holding the doll when Harvey appeared 

1155
00:47:40,905 --> 00:47:42,948
from around the corner.

1156
00:47:42,948 --> 00:47:45,701
And he looked at me and looked at Quentin

1157
00:47:45,701 --> 00:47:47,954
and he looked at his wife and little girl,

1158
00:47:47,954 --> 00:47:49,997
analyzed the situation

1159
00:47:49,997 --> 00:47:52,625
and took the doll from my hand

1160
00:47:52,625 --> 00:47:54,961
and gave it back to his daughter.

1161
00:47:56,295 --> 00:47:57,880
And Quentin says, "Harvey, Harvey

1162
00:47:57,880 --> 00:47:58,464
what are you doing

1163
00:47:58,464 --> 00:48:01,300
Michael is going to do The Hateful Eight.

1164
00:48:01,300 --> 00:48:03,886
Michael is going to do The Hateful Eight with us."

1165
00:48:03,886 --> 00:48:06,597
And Harvey stood there,

1166
00:48:06,597 --> 00:48:08,224
his eyes moving back and forth

1167
00:48:08,224 --> 00:48:12,144
and it seemed that he was reflecting while standing.

1168
00:48:12,144 --> 00:48:13,479
Hmm. Hmm. Hmm.  And suddenly, take

1169
00:48:13,479 --> 00:48:15,314
he takes the doll from his little girl's hand

1170
00:48:15,314 --> 00:48:16,482
and gave it back to me.

1171
00:48:16,482 --> 00:48:21,529
And I took it and...I didn't know what to say.

1172
00:48:21,529 --> 00:48:22,613
I mean it was like...

1173
00:48:22,613 --> 00:48:25,366
And he left our table at that very moment.

1174
00:48:25,366 --> 00:48:28,786
He gave me that thing and then he left.

1175
00:48:28,786 --> 00:48:31,122
And I remember thinking, “Oh my God.

1176
00:48:31,122 --> 00:48:32,957
And Quentin burst into hysterical laughter.

1177
00:48:32,957 --> 00:48:34,875
because when Quentin finds something funny and laughs,

1178
00:48:34,875 --> 00:48:36,335
he has a damn loud laugh.

1179
00:48:36,335 --> 00:48:39,255
And, of course, I gave the doll back to the little girl.

1180
00:48:39,255 --> 00:48:41,298
It was a very strange moment and I will never forget it.

1181
00:48:41,298 --> 00:48:43,134
It was like, wow.

1182
00:48:43,134 --> 00:48:44,593
How can this man behave like this?

1183
00:48:44,593 --> 00:48:46,095
Saint Sisoe.

1184
00:48:46,095 --> 00:48:47,596
A year later, you know,

1185
00:48:47,596 --> 00:48:48,931
the guy was charged.

1186
00:48:51,243 --> 00:48:54,154
What I like about serial killer movies 
that's what makes them so limited.

1186
00:48:54,154 --> 00:48:57,854
They are all pretty much the same, and that is precisely their charm.

1186
00:48:57,854 --> 00:49:00,154
It's the perfect kind of film to show the tension of certain moments. 
                                                         QT                      

1186
00:49:00,943 --> 00:49:03,154
Quentin loves this kind of movies.

1187
00:49:06,949 --> 00:49:10,077
He used it as motivation to organize the QT Festival in Austin.

1188
00:49:10,077 --> 00:49:13,497
There is an important rule that we have during this festival.

1189
00:49:13,497 --> 00:49:16,542
Don't laugh to show your superiority

1190
00:49:16,542 --> 00:49:20,296
the movie girl or how much cooler you are than the movie girl,

1191
00:49:20,296 --> 00:49:22,131
because I'll tell you that nobody here is cooler

1192
00:49:22,131 --> 00:49:23,382
than this movie.

1193
00:49:23,382 --> 00:49:25,009
All these movies are pretty damn cool.

1194
00:49:25,009 --> 00:49:26,552
For ten days he presented some films.

1195
00:49:26,552 --> 00:49:28,387
He had two screenings every night,

1196
00:49:28,387 --> 00:49:29,805
and in some evenings even three,

1197
00:49:29,805 --> 00:49:34,393
and presented films from Asia and films of this kind from all over the world.

1198
00:49:34,393 --> 00:49:36,187
People were constantly talking to him about those movies,

1199
00:49:36,187 --> 00:49:37,563
which he loved madly.

1200
00:49:37,563 --> 00:49:39,398
And that's why I think it was a period of time

1201
00:49:39,398 --> 00:49:42,193
in which Austin was a very safe haven for Quentin.

1202
00:49:42,193 --> 00:49:43,736
Quentin and Robert spent a lot of time together

1203
00:49:43,736 --> 00:49:45,279
at that moment.

1204
00:49:45,279 --> 00:49:46,906
I remember as Quentin and Robert 

1205
00:49:46,906 --> 00:49:48,991
and Edgar took me to eat some Mexican food.

1206
00:49:48,991 --> 00:49:49,909
And they told us

1207
00:49:49,909 --> 00:49:52,328
the whole concept related to Grindhouse.

1208
00:49:52,328 --> 00:49:54,080
Quentin's contribution to Grindhouse

1209
00:49:54,080 --> 00:49:54,789
it was extraordinary.

1210
00:49:54,789 --> 00:49:56,165
And I think she was also very intelligent.

1211
00:49:56,165 --> 00:49:58,250
A lot of people had done it before 

1212
00:49:58,250 --> 00:49:59,835
movies with chases and just as many

1213
00:49:59,835 --> 00:50:01,212
they had made movies with vengeful characters.

1214
00:50:01,212 --> 00:50:04,965
But he was remarkably pro-feminist,

1215
00:50:04,965 --> 00:50:07,843
pro woman, but at the same time remarkably cinematic,

1216
00:50:07,843 --> 00:50:10,846
a visionary in cinematography, who made the film interesting.

1217
00:50:12,181 --> 00:50:13,015
He called me and said:

1218
00:50:13,015 --> 00:50:14,600
"Zoe, I finished the script for Death Proof."

1219
00:50:14,600 --> 00:50:17,520
He told me the movie was about a stuntman

1220
00:50:17,520 --> 00:50:19,396
whose car was the clear proof

1221
00:50:19,396 --> 00:50:20,815
that he kills women with it.

1222
00:50:21,941 --> 00:50:24,318
Every thing you've seen a woman in

1223
00:50:24,318 --> 00:50:27,738
brutalized is mentioned

1224
00:50:27,738 --> 00:50:29,490
and then twisted it in his mind.

1225
00:50:29,490 --> 00:50:30,866
Hey!

1226
00:50:30,866 --> 00:50:33,118
Now I want blood.

1227
00:50:33,118 --> 00:50:34,411
It is about paying the wrongdoers.

1228
00:50:34,411 --> 00:50:35,454
It's about power.

1229
00:50:35,454 --> 00:50:36,831
It's about feminism.

1230
00:50:36,831 --> 00:50:38,290
Oh, you want more...

1231
00:50:38,290 --> 00:50:41,627
He creates roles for the women he wants to see.

1232
00:50:41,627 --> 00:50:44,171
I remember saying to him once, "I'll do this as long as you put in

1233
00:50:44,171 --> 00:50:46,549
I shoot someone who looks like me as a character, so I can work too."

1234
00:50:46,549 --> 00:50:47,967
cute

1235
00:50:47,967 --> 00:50:49,426
thank you

1236
00:50:49,426 --> 00:50:49,760
Yes.

1237
00:50:49,760 --> 00:50:50,803
Like, it's up to you, my friend.

1238
00:50:50,803 --> 00:50:52,054
If I'm not good at doing this,

1239
00:50:52,054 --> 00:50:55,307
if I screw it up, it's all your fault.

1240
00:50:55,307 --> 00:50:56,308
And he, at one point, said:

1241
00:50:56,308 --> 00:50:57,143
"Look, this is my job.

1242
00:50:57,143 --> 00:50:58,561
This is what I do.

1243
00:50:58,561 --> 00:51:00,855
I always choose well who to play."

1244
00:51:00,855 --> 00:51:02,857
And he then said: "Now I know you and I know what I want

1245
00:51:02,857 --> 00:51:04,275
and I know what I can get from you."

1246
00:51:04,275 --> 00:51:05,526
All you need is just to relax

1247
00:51:05,526 --> 00:51:07,027
and know your lines.

1248
00:51:07,027 --> 00:51:07,486
I remember this movie...

1249
00:51:07,486 --> 00:51:09,029
..as being,

1250
00:51:09,029 --> 00:51:11,657
yes, a movie you used to see in cinemas,

1251
00:51:11,657 --> 00:51:13,117
you know, in the 70s.

1252
00:51:15,619 --> 00:51:17,913
I went and gave samples to many

1253
00:51:17,913 --> 00:51:20,708
movies like that, and you know, so I knew what I had to do,

1254
00:51:20,708 --> 00:51:21,166
because I was familiar with this kind of movies.

1255
00:51:21,166 --> 00:51:21,959
I knew what he was going to do in this movie.

1256
00:51:21,959 --> 00:51:23,002
And I saw that there was someone who was making a big movie.

1257
00:51:23,002 --> 00:51:25,462
Scaring you somehow?

1258
00:51:25,462 --> 00:51:26,964
I was exactly what a stuntman should look like.

1259
00:51:26,964 --> 00:51:28,507
A big big scar that was here.

1260
00:51:28,507 --> 00:51:29,508
He said, "Yes, he must cover his eyes."

1261
00:51:29,508 --> 00:51:30,718
And let it be big, right?
And he said:

1262
00:51:30,718 --> 00:51:31,594
"Oh yeah."

1263
00:51:31,594 --> 00:51:34,013
The old-school action hero and stuntman were

1264
00:51:34,013 --> 00:51:35,764
very important to him and I think this film was 

1265
00:51:35,764 --> 00:51:37,182
for him a way of thanking

1266
00:51:37,182 --> 00:51:39,602
stuntmen in the cinematographic industry.

1267
00:51:39,602 --> 00:51:40,394
Now.

1268
00:51:40,394 --> 00:51:42,187
That's Quentin's magic...the art of getting it right

1269
00:51:42,187 --> 00:51:43,772
more and as real as possible.

1270
00:51:43,772 --> 00:51:46,817
I was going ninety miles an hour

1271
00:51:46,817 --> 00:51:49,320
and we were doing a lot of these things on that road.

1272
00:51:49,320 --> 00:51:51,780
She was tied to the hood of the car.

1273
00:51:51,780 --> 00:51:52,990
There was nothing that could be done to make her more secure.

1274
00:51:52,990 --> 00:51:55,701
If he caught the side of the road with his tire

1275
00:51:55,701 --> 00:51:58,704
and he lost control, we could hit him and that's how it ended with Zoe.

1276
00:51:58,704 --> 00:52:00,247
And it was no longer about a broken hand.

1277
00:52:00,247 --> 00:52:00,998
He came to me once and said:

1278
00:52:00,998 --> 00:52:01,957
"Zoe, come and look at this."

1279
00:52:01,957 --> 00:52:03,542
And I sat there and I was so anxious to see the scene and

1280
00:52:03,542 --> 00:52:05,336
I was looking at the scene and I said:

1281
00:52:05,336 --> 00:52:05,878
"Oh my God.

1282
00:52:05,878 --> 00:52:06,754
It looks amazing."

1283
00:52:06,754 --> 00:52:07,963
I was in the 9th heaven.

1284
00:52:07,963 --> 00:52:09,048
He said, "But what's wrong with this sequence?"

1285
00:52:09,048 --> 00:52:09,548
And I said, "What are you saying there?

1286
00:52:09,548 --> 00:52:10,215
- What are you talking about?

1287
00:52:10,215 --> 00:52:11,175
There is nothing wrong with this scene.

1288
00:52:11,175 --> 00:52:12,801
It is simply pure gold."

1289
00:52:12,801 --> 00:52:13,969
And he still had the impression that there was something wrong with this sequence.

1290
00:52:13,969 --> 00:52:14,386
What's so bad about that?

1291
00:52:14,386 --> 00:52:16,889
And I said, "I don't know, Quentin.

1292
00:52:16,889 --> 00:52:18,515
I think you're a bit over the top."

1293
00:52:18,515 --> 00:52:20,684
You know, and he continued: "What is it that we don't see in

1294
00:52:20,684 --> 00:52:22,269
all these four minutes?"

1295
00:52:22,269 --> 00:52:23,145
And I said, "What?

1296
00:52:23,145 --> 00:52:24,813
Oh, my girl."

1297
00:52:24,813 --> 00:52:27,775
My face had never been seen in a movie, because it was my job

1298
00:52:27,775 --> 00:52:30,152
to know exactly how to hold my face

1299
00:52:30,152 --> 00:52:31,737
knowing where the camera is, to avoid being filmed.

1300
00:52:31,737 --> 00:52:32,613
To raise my arm up.

1301
00:52:32,613 --> 00:52:35,157
Or use my hair or body or whatever,

1302
00:52:35,157 --> 00:52:36,241
because that was my job.

1303
00:52:36,241 --> 00:52:38,827
If my face could be seen, the sequence would have been destroyed.

1304
00:52:38,827 --> 00:52:39,244
And he said:

1305
00:52:39,244 --> 00:52:40,371
"I love that you're so good at it,

1306
00:52:40,371 --> 00:52:42,081
but you need to do differently now because

1307
00:52:42,081 --> 00:52:45,417
the point is that we need to see that you are."

1308
00:52:46,961 --> 00:52:49,630
He likes to help actors get to the point

1309
00:52:49,630 --> 00:52:51,966
in which they can give everything they can.

1310
00:52:55,344 --> 00:52:57,262
Is that what makes Quentin different from other directors?

1311
00:52:57,262 --> 00:53:01,475
No, I would never be afraid

1312
00:53:01,475 --> 00:53:03,477
that my joy would be cut off during his filming.

1313
00:53:03,477 --> 00:53:04,103
Wahoo!

1314
00:53:04,103 --> 00:53:08,983
Hey ladies, this was really fun.

1315
00:53:08,983 --> 00:53:13,821
Playing in Death Proof I felt amazing.

1316
00:53:13,821 --> 00:53:15,531
N He found it terribly entertaining. I mean, the bar scenes.

1317
00:53:15,531 --> 00:53:17,199
Quentin is the bartender.

1318
00:53:17,199 --> 00:53:18,784
There was a scene where Quentin was doing

1319
00:53:18,784 --> 00:53:20,119
those shots are real Irish bombs.

1320
00:53:20,119 --> 00:53:21,996
And Quentin said, "They must be real and the foam must flow,

1321
00:53:21,996 --> 00:53:23,038
otherwise it wouldn't be right."

1322
00:53:23,038 --> 00:53:25,416
And Quentin said, "I can't be there at the table to see

1323
00:53:25,416 --> 00:53:27,584
what do the drinks look like in this sequence, so we will make a long film.

1324
00:53:27,584 --> 00:53:28,711
You must do your job properly,

1325
00:53:28,711 --> 00:53:31,338
and I will use real Guinness and Jager.

1326
00:53:31,338 --> 00:53:32,339
So you can't go wrong."

1327
00:53:32,339 --> 00:53:32,589
OK.

1328
00:53:32,589 --> 00:53:33,173
Okay, okay.

1329
00:53:33,173 --> 00:53:33,757
Everyone is ready.

1330
00:53:33,757 --> 00:53:34,466
I was on the last double draw that night.

1331
00:53:34,466 --> 00:53:35,718
It was about half past six in the morning. Aah!

1332
00:53:35,718 --> 00:53:38,595
So we were boom, boom, boom, boom again.

1333
00:53:38,595 --> 00:53:39,930
And Quentin says: How did it turn out now, Jimmy.

1334
00:53:39,930 --> 00:53:42,725
And it was, in fact, everything.

1335
00:53:42,725 --> 00:53:43,642
Quentin said, "Cool, cool.

1336
00:53:43,642 --> 00:53:45,385
We should do one more, just to be sure, okay?"

1338
00:53:45,561 --> 00:53:46,270
Boom, Boom.

1339
00:53:46,270 --> 00:53:47,980
And he drinks another shot, and then drinks another shot.

1340
00:53:47,980 --> 00:53:49,982
And I don't know why, but we started singing

1341
00:53:49,982 --> 00:53:52,318
that song from The Blazing Saddles, which was like that

1342
00:53:52,318 --> 00:53:53,986
from-from-from-from, from-from-from.

1343
00:53:53,986 --> 00:53:54,570
throw out your hands

1344
00:53:54,570 --> 00:53:55,321
Stick aou your tush......

1345
00:53:55,321 --> 00:53:57,740
And I started making those gestures towards Quentin.

1346
00:53:57,740 --> 00:53:59,199
And he started laughing.

1347
00:53:59,199 --> 00:54:00,617
And he's like, "Ah, that was so much fun.

1348
00:54:00,617 --> 00:54:01,702
He says, "Ah, yes, yes, yes.

1349
00:54:01,702 --> 00:54:03,037
Let's do it one more time."

1350
00:54:03,037 --> 00:54:04,788
And we said: "Yes", but now it was already

1351
00:54:04,788 --> 00:54:06,040
quarter past seven in the morning.

1352
00:54:06,040 --> 00:54:07,458
And so Quentin says: 

1353
00:54:07,458 --> 00:54:08,917
"Action!" and slams the glass on the table,

1354
00:54:08,917 --> 00:54:12,629
"pshew," he snaps

1355
00:54:12,629 --> 00:54:16,341
he cuts his hand and falls from the table, laughing.

1356
00:54:16,341 --> 00:54:19,887
And all he says is: "Ah-ha-ha-ha!

1357
00:54:19,887 --> 00:54:21,847
That was so funny.

1358
00:54:21,847 --> 00:54:23,640
Oh, God!"

1359
00:54:23,640 --> 00:54:26,518
I think I had done about twelve takes.

1360
00:54:26,518 --> 00:54:29,271
In the end, around ... quarter past eight

1361
00:54:29,271 --> 00:54:31,857
in the morning, as I was leaving, leaving Quentin there,

1362
00:54:31,857 --> 00:54:32,649
he grabbed my arm. And he says:

1363
00:54:32,649 --> 00:54:33,692
"Have a drink with us, okay?"

1364
00:54:33,692 --> 00:54:34,610
I said, "Yes, Yes.

1365
00:54:34,610 --> 00:54:35,194
I'll be right back."

1366
00:54:35,194 --> 00:54:36,153
And I ran away

1367
00:54:36,153 --> 00:54:38,530
to the hotel to sleep. I don't know what happened anymore.

1368
00:54:38,530 --> 00:54:40,282
All I heard was someone throwing up

1369
00:54:40,282 --> 00:54:41,366
in a dumpster around eleven o'clock that morning.

1370
00:54:43,619 --> 00:54:46,330
When I saw Death Proof,

1371
00:54:46,330 --> 00:54:48,624
in that scene

1372
00:54:48,624 --> 00:54:50,876
in which the girls sitting in the car

1373
00:54:50,876 --> 00:54:54,046
I talk to each other and nothing happens.

1374
00:54:54,046 --> 00:54:59,426
They don't say anything that is really relevant about anything.

1375
00:54:59,426 --> 00:55:03,180
And this takes place, I think, during a 

1376
00:55:03,180 --> 00:55:04,515
forty five minutes,

1377
00:55:04,515 --> 00:55:08,310
them doing nothing but driving and talking.

1378
00:55:08,310 --> 00:55:15,859
And I was very amazed at that moment 

1379
00:55:15,859 --> 00:55:21,281
which by the total

1380
00:55:21,281 --> 00:55:25,077
the entertainment that these

1381
00:55:25,077 --> 00:55:33,127
movies inspire you, it has an allure and an attractive force

1382
00:55:33,127 --> 00:55:34,878
which seems to pull you into it.

1383
00:55:36,547 --> 00:55:41,385
There is this strength in him.

1384
00:55:41,385 --> 00:55:43,929
where the hell are my keys

1385
00:55:43,929 --> 00:55:44,847
Oh, here they are.

1186
00:56:03,243 --> 00:56:06,154
"I think the beginning of Inglorious Basterds is one of the best
 best ever written by me -

1186
00:56:06,154 --> 00:56:09,754
Before that...sequence with the Sicilians from the True Romance script" 
                                                               QT.

1386
00:56:10,122 --> 00:56:13,041
I think that Quentin's influence in this film is manifested on two levels.

1387
00:56:13,041 --> 00:56:14,918
One is because

1388
00:56:14,918 --> 00:56:16,712
those filmmakers who accused him of having made a series of

1389
00:56:16,712 --> 00:56:18,839
very bad movies because they didn't know

1390
00:56:18,839 --> 00:56:20,340
how to watch his movies.

1391
00:56:20,340 --> 00:56:21,800
They didn't feel the poetry 

1392
00:56:21,800 --> 00:56:25,262
and the elegance and eloquence of his films.

1393
00:56:25,262 --> 00:56:27,181
So everything they said and... they said it out loud,

1394
00:56:27,181 --> 00:56:29,349
like you know, like they're too violent and - and like his heroes

1395
00:56:29,349 --> 00:56:33,145
he mistreats people without noticing his passionate humanism.

1396
00:56:33,145 --> 00:56:35,981
Inglourious Basterds is a movie that teaches

1397
00:56:35,981 --> 00:56:38,817
other filmmakers how to make films because in the opening scene,

1398
00:56:38,817 --> 00:56:43,614
Quentin literally tells the world:

1399
00:56:43,614 --> 00:56:45,199
"Oh, you think you know who I am,

1400
00:56:45,199 --> 00:56:46,700
and you know what i can do

1401
00:56:46,700 --> 00:56:48,785
and you think you've seen war movies before.

1402
00:56:48,785 --> 00:56:50,204
Well, I'm going to play with you

1403
00:56:50,204 --> 00:56:52,581
in a way you don't even think about."

1404
00:56:54,958 --> 00:56:56,043
Papa!

1405
00:56:56,043 --> 00:56:57,294
Like I'm in control.

1406
00:56:57,294 --> 00:56:59,171
That I have you in my hands

1407
00:56:59,171 --> 00:57:01,506
and that you are a participant in my journey.

1408
00:57:01,506 --> 00:57:03,383
The German general enters the room.

1409
00:57:03,383 --> 00:57:06,011
You don't understand why he's so friendly.

1186
00:57:06,243 --> 00:49:08,854
General Hans Landa of the SS... Miss
 
1410
00:57:08,889 --> 00:57:11,099
And you don't understand why everyone is so scared?

1411
00:57:14,436 --> 00:57:15,187
And then, at a certain point,

1412
00:57:15,187 --> 00:57:17,272
Quentin picks you up and takes you... under the house.

1413
00:57:19,274 --> 00:57:21,568
And that is truly a terrible moment.

1414
00:57:26,323 --> 00:57:28,242
You know, it's not like Robert Wise who made The Haunting

1415
00:57:28,242 --> 00:57:30,035
that shocked you with the footage taken with the devices from different angles.

1416
00:57:30,035 --> 00:57:32,537
It's not Toby Hooper either, uh

1417
00:57:32,537 --> 00:57:33,664
which in Texas Chainsaw seems

1418
00:57:33,664 --> 00:57:35,374
that forces you to put your face in the scene.

1419
00:57:35,374 --> 00:57:37,042
That's not what happens.

1420
00:57:37,042 --> 00:57:39,836
A German soldier conducts a house search operation

1421
00:57:39,836 --> 00:57:42,381
in which some Jews are supposed to be hiding.

1422
00:57:42,381 --> 00:57:43,882
Where should the "falcon" look?

1423
00:57:43,882 --> 00:57:45,050
Search the barn.

1424
00:57:45,050 --> 00:57:46,093
He looked into the attic.

1425
00:57:46,093 --> 00:57:47,261
He looked into the cellar.

1426
00:57:47,261 --> 00:57:50,764
He looks everywhere where the Jews might be hiding.

1427
00:57:50,764 --> 00:57:52,683
But there are so many places that not even one

1428
00:57:52,683 --> 00:57:54,893
falcon doesn't think anyone could hide.

1429
00:57:54,893 --> 00:57:57,271
No, you are not in a position to give the corner of a house all at once

1430
00:57:57,271 --> 00:57:58,272
to hear a cat purring.

1431
00:57:58,272 --> 00:57:59,481
And you say, "Oh!"

1432
00:57:59,481 --> 00:58:00,482
It's not like that.

1433
00:58:00,482 --> 00:58:03,610
It's something intellectual and totally unbearable.

1434
00:58:04,820 --> 00:58:06,905
Show me the area where they are hiding.

1435
00:58:26,508 --> 00:58:29,052
The dialogue is

1436
00:58:29,052 --> 00:58:30,470
so to speak

1437
00:58:30,470 --> 00:58:32,639
just the tip of the iceberg.

1438
00:58:34,016 --> 00:58:35,475
It's a hint.

1186
00:58:36,543 --> 00:58:39,154
Ah, ladies.

1439
00:58:40,105 --> 00:58:43,025
Thank you for your time.

1440
00:58:45,485 --> 00:58:47,529
We won't bother your family anymore.

1441
00:58:48,488 --> 00:58:51,408
So Quentin, in this dialogue,

1442
00:58:51,408 --> 00:58:55,203
don't tell you how to say it

1443
00:58:55,203 --> 00:58:58,874
but he gives you an abundance

1444
00:58:58,874 --> 00:59:01,376
elements of how to say it.

1445
00:59:01,376 --> 00:59:02,502
...Farewell.

1446
00:59:06,131 --> 00:59:10,886
You'll have fun trying to figure out how.

1447
00:59:10,886 --> 00:59:13,013
That's it.

1448
00:59:13,013 --> 00:59:15,390
And Quentin starts from there and then starts

1449
00:59:15,390 --> 00:59:17,351
to do it in any way he can

1450
00:59:17,351 --> 00:59:19,686
in the terms in which a war film does.

1451
00:59:19,686 --> 00:59:23,440
Goodbye. Shooshana

1452
00:59:23,440 --> 00:59:23,982
i remember

1453
00:59:23,982 --> 00:59:25,567
of the first rehearsal from Inglourious Basterds.

1454
00:59:25,567 --> 00:59:27,569
We were seated and everyone had a script in hand to read

1455
00:59:27,569 --> 00:59:28,111
and in which we had our lines.

1456
00:59:28,111 --> 00:59:29,696
Quentin closed his script.

1457
00:59:29,696 --> 00:59:31,323
And he asked me: "Who are you?"

1458
00:59:31,323 --> 00:59:32,741
And I said, "I'm Donny Donowitz."

1459
00:59:32,741 --> 00:59:35,327
And I had to keep saying it

1460
00:59:35,327 --> 00:59:36,620
what was my story

1461
00:59:36,620 --> 00:59:37,371
And he says, "Well, how would you feel

1462
00:59:37,371 --> 00:59:38,830
when would you join the Basterds?

1463
00:59:38,830 --> 00:59:39,331
What do you think about the fact that

1464
00:59:39,331 --> 00:59:40,999
Does Stiglitz want to join the Basterds group too?"

1465
00:59:40,999 --> 00:59:42,751
Everyone had to have the answers ready.

1466
00:59:42,751 --> 00:59:45,003
There was also a person who did not know what to answer.

1467
00:59:45,003 --> 00:59:46,463
You!

1468
00:59:46,463 --> 00:59:47,130
And...

1469
00:59:47,130 --> 00:59:50,008
...he wasn't there the next day.

1470
00:59:50,008 --> 00:59:52,260
And that guy was one more man than the required number of actors.

1471
00:59:52,260 --> 00:59:55,222
So I was very, very ready to answer.

1472
00:59:55,222 --> 00:59:57,599
And I knew the scene with the beating, because it was about that scene.

1473
00:59:57,599 --> 00:59:59,893
I knew it as if I had done nothing else

1474
00:59:59,893 --> 01:00:02,437
my life, except that scene.

1475
01:00:02,437 --> 01:00:04,189
Did you hear that?

1476
01:00:05,816 --> 01:00:06,608
Yes.

1477
01:00:09,903 --> 01:00:12,656
This is Sergeant Donny Donowitz.

1478
01:00:12,656 --> 01:00:15,242
You may know him by his nickname,

1479
01:00:15,242 --> 01:00:17,661
The Jewish Bear.

1480
01:00:17,661 --> 01:00:19,663
Quentin gave me the most heroic role...

1481
01:00:19,663 --> 01:00:23,166
The one nicknamed "The Jewish Bear"...

1482
01:00:23,166 --> 01:00:24,709
it's a golem.

1483
01:00:24,709 --> 01:00:26,044
It's like having Brad Pitt

1484
01:00:26,044 --> 01:00:27,295
and Hitler erecting a statue of you.

1485
01:00:27,295 --> 01:00:29,131
Nicknamed me like that, it could only be my moment of glory 

1486
01:00:29,131 --> 01:00:30,715
And, you know, I was going to get out of that tunnel.

1487
01:00:30,715 --> 01:00:32,175
Quentin said: "I chose the coolest tunnel.

1488
01:00:32,175 --> 01:00:33,218
You will slowly appear with a club in hand when

1489
01:00:33,218 --> 01:00:34,344
you will get out."

1490
01:00:34,344 --> 01:00:36,596
Well, I started lifting weights, I also put on a punching bag,

1491
01:00:36,596 --> 01:00:38,682
so while Brad was filming his scene

1492
01:00:38,682 --> 01:00:41,059
I was in the back lifting weights

1493
01:00:41,059 --> 01:00:42,853
and I was doing pull-ups. I wanted to be ready to...

1494
01:00:42,853 --> 01:00:43,603
like an animal.

1495
01:00:43,603 --> 01:00:45,021
And Quentin came and said, "Okay,

1496
01:00:45,021 --> 01:00:45,814
We'll take care of you after lunch.

1497
01:00:45,814 --> 01:00:45,897
And then at the end he said

1498
01:00:45,897 --> 01:00:47,857
"It's your turn, so be prepared.

1500
01:00:47,858 --> 01:00:49,818
And then he said, "Well, today's shoot is over."

1501
01:00:49,818 --> 01:00:50,444
And I was like...

1502
01:00:50,444 --> 01:00:51,820
like that at the end of that day

1503
01:00:51,820 --> 01:00:55,031
the day I was prepared for filming,

1504
01:00:55,031 --> 01:00:56,408
and excited, ready to start.

1505
01:00:56,408 --> 01:00:57,868
And so I ended up spending that night in the gym and

1506
01:00:57,868 --> 01:00:59,870
in the morning I'll do the gym again, so that I'll be ready for films.

1507
01:00:59,870 --> 01:01:02,873
And Quentin did that with me for about four or five days.

1508
01:01:02,873 --> 01:01:05,709
He finally when I had become like an animal in a cage...

1509
01:01:05,709 --> 01:01:07,294
Of course, he had done it on purpose.

1510
01:01:13,675 --> 01:01:15,218
Aswa like when I went out with that club,

1511
01:01:15,218 --> 01:01:17,304
i was so...so ready.

1512
01:01:17,304 --> 01:01:19,764
And when I got in front of that mannequin.

1513
01:01:19,764 --> 01:01:22,100
I was completely crazy.

1514
01:01:22,100 --> 01:01:23,602
I think I lost my voice

1515
01:01:23,602 --> 01:01:25,187
for a few days after that.

1516
01:01:27,981 --> 01:01:30,442
I know Quentin wanted to,

1517
01:01:30,442 --> 01:01:34,905
um, for the actors, um, to be real, to be like real Germans,

1518
01:01:34,905 --> 01:01:36,156
to be like some real French.

1519
01:01:36,156 --> 01:01:38,283
Um, he spent months and months and months in the

1520
01:01:38,283 --> 01:01:40,035
Germany trying to find the right people,

1521
01:01:40,035 --> 01:01:42,913
especially for Christoph Waltz's character.

1186
01:01:43,143 --> 01:01:45,454
I have something else I want to ask you

1522
01:01:48,126 --> 01:01:50,504
And I know he said it himself,

1523
01:01:50,504 --> 01:01:52,339
that if he hadn't found Christoph,

1524
01:01:53,340 --> 01:01:56,424
he would not have been able to make this film.

1186
01:01:57,143 --> 01:02:00,454
But now, I swear, I don't remember what it was about

1186
01:02:01,143 --> 01:01:03,454
Well, it must have been something unimportant

1525
01:02:04,142 --> 01:02:06,770
Quentin was very secretive,

1526
01:02:06,770 --> 01:02:08,480
uh, about Christoph's character.

1527
01:02:08,480 --> 01:02:10,732
Uh, and even at dialogue reading sessions

1528
01:02:10,732 --> 01:02:13,777
we failed to notice his true acting performance.

1186
01:02:17,143 --> 01:02:18,654
Mrs. Von Hammersmark

1529
01:02:18,782 --> 01:02:20,325
The theater scene when Christoph appears 

1530
01:02:20,325 --> 01:02:23,203
and confronts Bridget,

1531
01:02:23,203 --> 01:02:25,372
I had not repeated it,

1532
01:02:25,372 --> 01:02:28,041
so it was a complete surprise to me when

1533
01:02:28,041 --> 01:02:31,211
he started laughing like a madman and... the way he

1534
01:02:31,211 --> 01:02:32,128
made that scene.

1186
01:02:32,143 --> 01:02:34,454
Is that how you sprained your leg climbing mountains?  

1186
01:02:34,843 --> 01:02:36,624
Believe it or not if you want, but that's how it was

1535
01:02:36,633 --> 01:02:49,771
And I think that in a way this can be seen on my face.

1536
01:02:49,771 --> 01:02:51,606
Christoph had found his character.

1537
01:02:51,606 --> 01:02:55,318
He really had a personal idea of how he wanted it

1538
01:02:55,318 --> 01:02:59,030
interpret and created a bond with Quentin

1539
01:02:59,030 --> 01:03:02,701
which has strengthened more and more.

1540
01:03:02,701 --> 01:03:06,580
A certain exuberance was definitely created in that environment

1541
01:03:06,580 --> 01:03:08,832
which he kept spreading.

1542
01:03:08,832 --> 01:03:13,211
And there is no, no vaccine against this microbe.

1543
01:03:13,211 --> 01:03:15,922
You were infected whether you wanted to be or not.

1544
01:03:15,922 --> 01:03:19,342
Well, I don't know if you wanted it to be that way or not, 

1545
01:03:19,342 --> 01:03:21,595
because that's the part...

1546
01:03:21,595 --> 01:03:25,974
part of the infection, with which
 you wanted to be infected.

1547
01:03:25,974 --> 01:03:27,809
It's like going to a brothel 

1548
01:03:27,809 --> 01:03:30,395
to get infected with syphilis.

1549
01:03:30,395 --> 01:03:32,606
I've never been killed in a movie before,

1550
01:03:32,606 --> 01:03:34,899
so that as the day approached, I was more and more

1551
01:03:34,899 --> 01:03:36,568
nervous about it.

1552
01:03:36,568 --> 01:03:39,362
I was in my trailer and Quentin comes in and says:

1553
01:03:39,362 --> 01:03:41,615
"Well, I don't really trust Christoph that he will

1554
01:03:41,615 --> 01:03:44,034
it kills you, so I'm going to do it myself."

1555
01:03:44,034 --> 01:03:46,036
And he says, "Well, look at this.

1556
01:03:46,036 --> 01:03:50,415
I cut some sleeves with the SS mark on them to fit me

1557
01:03:50,415 --> 01:03:53,209
and I will put them on myself and then I will be on top of you

1558
01:03:53,209 --> 01:03:54,336
and i will strangle you

1559
01:03:54,336 --> 01:03:56,588
and it's going to be a really cool sequence."

1560
01:03:56,588 --> 01:03:57,547
And I said, "Oh, Oh.

1561
01:03:57,547 --> 01:03:58,381
Yes, this is really wonderful.

1562
01:03:58,381 --> 01:03:59,049
Sure.

1563
01:03:59,049 --> 01:03:59,883
It seems right to me.

1564
01:03:59,883 --> 01:04:00,300
Why not?"

1565
01:04:00,300 --> 01:04:02,594
And now I was really panicked.

1566
01:04:02,594 --> 01:04:05,639
And we knew we were going to do this stunt and when finally

1567
01:04:05,639 --> 01:04:08,892
I reached the floor and had the end in front of my eyes

1568
01:04:08,892 --> 01:04:12,437
the figure of Quentin in my life, which is three times anyway 

1569
01:04:12,437 --> 01:04:16,191
bigger than Christoph and his hands are three times bigger

1570
01:04:16,191 --> 01:04:18,610
like Christoph's hands on my neck,

1571
01:04:18,610 --> 01:04:21,112
you know, which had some sleeves, which were three

1572
01:04:21,112 --> 01:04:23,782
smaller than his size and which squeezed my neck.

1573
01:04:23,782 --> 01:04:26,952
And I thought, well, at least if I die,

1574
01:04:26,952 --> 01:04:29,371
it's Quentin Tarantino who killed me today.

1575
01:04:29,371 --> 01:04:30,372
Ooh!

1576
01:04:30,372 --> 01:04:37,128
I think he managed to kill me.

1577
01:04:37,128 --> 01:04:38,588
Quentin is a guy who wants to control everything.

1578
01:04:38,588 --> 01:04:40,048
He stands next to the camera when filming.

1579
01:04:40,048 --> 01:04:42,384
Usually the directors
I'm sitting in front of the video screen,

1580
01:04:42,384 --> 01:04:43,885
sometimes even in another room.

1581
01:04:43,885 --> 01:04:46,054
You feel involved,

1582
01:04:46,054 --> 01:04:48,598
that he is ready to lend you a helping hand.

1583
01:04:48,598 --> 01:04:52,602
At the end of the day, you feel like he's seen it all.

1584
01:04:52,602 --> 01:04:55,313
He laughs when a joke is told on set.

1585
01:04:55,313 --> 01:04:57,440
He's like that... Sometimes we had to cut the footage

1586
01:04:57,440 --> 01:04:58,900
because I could hear Quentin laughing.

1587
01:04:58,900 --> 01:05:00,318
And that makes you feel good.

1588
01:05:02,487 --> 01:05:04,656
Hello, Sally.

1589
01:05:04,656 --> 01:05:06,282
Every time I finished a scene and he liked it,

1590
01:05:06,282 --> 01:05:08,785
he'd say, "Okay, let's pull one so I'll have something to yell at Sally.

1591
01:05:08,785 --> 01:05:13,248
Hello, Sally.

1592
01:05:13,248 --> 01:05:15,917
He called me right after he met Sally Menke

1593
01:05:15,917 --> 01:05:18,169
and he said to me: I met a girl.

1594
01:05:18,169 --> 01:05:21,423
I think we will work together in the future on all our films.

1595
01:05:21,423 --> 01:05:24,259
Look in the room and tell my editor I'm left alone 

1596
01:05:24,259 --> 01:05:26,010
and which is stuck in Los Angeles

1597
01:05:26,010 --> 01:05:28,138
and who is in her room alone, good morning.

1598
01:05:28,138 --> 01:05:29,472
Her name is Sally.

1599
01:05:29,472 --> 01:05:31,641
Hello, Sally.

1600
01:05:31,641 --> 01:05:32,892
And welcome to your first happy day.

1601
01:05:32,892 --> 01:05:34,227
Welcome to your happy day!

1602
01:05:34,227 --> 01:05:37,063
Now say it all together, let it go.

1603
01:05:37,063 --> 01:05:40,775
Hi Sally and have a great happy first day!

1604
01:05:40,775 --> 01:05:42,360
Sally Menke, unfortunately,

1605
01:05:42,360 --> 01:05:44,696
he is no longer with us.

1606
01:05:44,696 --> 01:05:47,907
But she was Quentin's major editor

1607
01:05:47,907 --> 01:05:50,744
to all his films for a period of time.

1608
01:05:50,744 --> 01:05:58,001
She is my only true and genuine collaborator

1609
01:05:58,001 --> 01:06:02,213
from start to finish and that's it.

1610
01:06:02,213 --> 01:06:03,673
They knew each other so well,

1611
01:06:03,673 --> 01:06:06,050
they both spoke a kind of language of their own.

1612
01:06:06,050 --> 01:06:08,762
She was one of those women who could say to him:

1613
01:06:08,762 --> 01:06:10,096
"You're too self-indulgent."

1614
01:06:10,096 --> 01:06:12,849
And he was just saying, "Okay!"

1615
01:06:12,849 --> 01:06:17,687
I think he could hear Sally's voice all the time when he was filming something.

1616
01:06:17,687 --> 01:06:19,981
And now tonight I want to thank my co-writer,

1617
01:06:19,981 --> 01:06:22,942
Sally Menke.

1618
01:06:22,942 --> 01:06:26,237
She was his cheerleader (head of the supporters' gallery)

1619
01:06:26,237 --> 01:06:28,531
and his publisher merged into one person.

1620
01:06:28,531 --> 01:06:29,657
Hello, Sally.

1621
01:06:31,576 --> 01:06:32,410
Hello, Sally.

1622
01:06:32,869 --> 01:06:34,162
Hello, Sally.

1623
01:06:34,162 --> 01:06:34,871
And cut!

1624
01:06:34,871 --> 01:06:36,956
The Basterds will be waiting for you.

1625
01:06:36,956 --> 01:06:38,583
Damn, damn, damn.

1626
01:06:38,583 --> 01:06:39,584
So, closer.

1627
01:06:39,584 --> 01:06:41,336
Hello, Sally. About that close.

1628
01:06:57,811 --> 01:07:01,898
The resonance of his cinema, makes you be pushed

1629
01:07:01,898 --> 01:07:04,609
with every instrument at his disposal and he is a master

1630
01:07:04,609 --> 01:07:06,236
of most of these instruments.

1631
01:07:06,236 --> 01:07:08,988
I remember after that ending I looked at my parents,

1632
01:07:08,988 --> 01:07:10,198
and my parents were crying.

1633
01:07:10,198 --> 01:07:11,449
He was simply that incredible,

1634
01:07:11,449 --> 01:07:12,909
that incredible moment.

1635
01:07:12,909 --> 01:07:19,165
I had become the Jew who shot Hitler.

1636
01:07:19,165 --> 01:07:19,958
I was big on everything.

1637
01:07:19,958 --> 01:07:21,543
Everywhere I went, people recognized me as me

1638
01:07:21,543 --> 01:07:23,378
The Jewish bear, in any country.

1639
01:07:23,378 --> 01:07:24,170
It was incredible.

1640
01:07:24,170 --> 01:07:29,342
I believe the people who believe that

1641
01:07:29,342 --> 01:07:31,928
Inglourious Basterds derails when Hitler dies

1642
01:07:31,928 --> 01:07:36,432
loses what all of us in the room knew, which is that we were watching a movie and

1643
01:07:36,432 --> 01:07:38,184
so we were all aware that we were watching a movie.

1644
01:07:38,184 --> 01:07:39,394
He didn't change history,

1645
01:07:39,394 --> 01:07:44,482
and he never claimed that he did that.

1646
01:07:44,482 --> 01:07:49,237
But he does exactly what…

1647
01:07:49,237 --> 01:07:58,705
it was the essential task of the film's story.

1648
01:07:58,705 --> 01:08:00,456
But what if?

1649
01:08:00,456 --> 01:08:04,043
I never wanted to be a part of

1650
01:08:04,043 --> 01:08:06,296
Repeating again and again the history of my country,

1651
01:08:06,296 --> 01:08:08,548
so the set seemed refreshing.

1652
01:08:08,548 --> 01:08:11,467
And, uh, only Quentin Tarantino can get away with it

1653
01:08:11,467 --> 01:08:13,511
unreprimanded for something like this.

1654
01:08:13,511 --> 01:08:15,263
I mean, how dare you make such a film.

1655
01:08:15,263 --> 01:08:18,099
This guy is making a movie, a movie called

1656
01:08:18,099 --> 01:08:19,684
Inglourious Basterds where the villains don't appear much

1657
01:08:19,684 --> 01:08:21,769
a war film where there is almost no war

1658
01:08:21,769 --> 01:08:25,106
and in which two-thirds of it is spoken in a foreign language.

1659
01:08:25,106 --> 01:08:27,317
Er...how the hell do you do that?

1660
01:08:27,317 --> 01:08:28,693
How to have confidence and courage

1661
01:08:28,693 --> 01:08:31,696
to do that which could be the greatest

1662
01:08:31,696 --> 01:08:33,406
commercial failure of your career?

1663
01:08:33,406 --> 01:08:34,616
I'm alive.

1664
01:08:34,616 --> 01:08:37,452
It is as if announcing: "I will do something."

1665
01:08:37,452 --> 01:08:38,703
bold and brave and completely different.”

1666
01:08:38,703 --> 01:08:40,163
Then he does it again with Django.

1667
01:08:40,163 --> 01:08:41,706
And everyone still doubts him.

1668
01:08:41,706 --> 01:08:43,458
How can you pee crane a movie about slavery at Christmas time?

1669
01:08:43,458 --> 01:08:44,500
And he said, just look at him.

1670
01:08:44,500 --> 01:08:45,877
It's his biggest movie of all time.

1670
01:08:47,500 --> 01:08:54,500
"There is no film genre that better reflects the morals and feelings of Americans, like westerns. 

1670
01:08:54,500 --> 01:08:57,277
Westerns are like a magnifying glass fixed on a certain period"
                                                    QT

1671
01:08:59,557 --> 01:09:00,183
Everyone sits in line

1672
01:09:00,183 --> 01:09:02,018
in front of Quentin Tarantino waiting to be taken to work with him.

1673
01:09:02,018 --> 01:09:03,186
I don't care who sits in line.

1674
01:09:03,186 --> 01:09:05,647
I don't care how big the bright star is

1675
01:09:05,647 --> 01:09:07,232
and what position it holds in the box-office.

1676
01:09:07,232 --> 01:09:11,945
You are still a person of no interest to Quentin Tarantino 

1677
01:09:11,945 --> 01:09:13,571
if you haven't had the chance to work with him yet.

1678
01:09:13,571 --> 01:09:16,741
...Your black ass.

1679
01:09:16,741 --> 01:09:20,912
I had the chance to meet Quentin Tarantino.

1680
01:09:22,038 --> 01:09:23,498
Hey whites.

1681
01:09:23,498 --> 01:09:26,125
I said: Hey, white.

1682
01:09:26,125 --> 01:09:27,293
shut up nigger

1683
01:09:27,293 --> 01:09:29,003
You have nothing to say, what I would like to hear.

1684
01:09:29,003 --> 01:09:36,928
You make unknown people...celebrities, stars.

1685
01:09:36,928 --> 01:09:39,722
But you also turn some stars into legends.

1686
01:09:44,722 --> 01:09:46,887
I said, I know the guy has to be able to ride

1688
01:09:46,896 --> 01:09:48,231
I have my own horse in my stable at home.

1689
01:09:48,231 --> 01:09:49,107
That's really cool.

1690
01:09:49,107 --> 01:09:52,443
Not only did it allow me to play the part,

1691
01:09:52,443 --> 01:09:55,603
but I got a chance to ride my own horse in the movie

1693
01:09:55,613 --> 01:09:57,490
He's my valet, Django.

1694
01:09:57,490 --> 01:10:00,535
And these are our horses, Tony and Fritz.

1695
01:10:00,535 --> 01:10:04,163
Bruce was also there,

1696
01:10:04,163 --> 01:10:06,833
Bruce Dern, the one who played in almost all westerns

1697
01:10:06,833 --> 01:10:08,501
which were made for television,

1698
01:10:08,501 --> 01:10:10,962
and who had played every bad guy role you could imagine.

1699
01:10:10,962 --> 01:10:15,174
Django Django, you have sinned

1700
01:10:15,174 --> 01:10:17,051
Django.

1701
01:10:17,051 --> 01:10:19,721
This boy is a sinner.

1702
01:10:19,721 --> 01:10:21,973
After seeing this man for so many years, that is,

1703
01:10:21,973 --> 01:10:25,351
thirty, forty, fifty years of film career,

1704
01:10:25,351 --> 01:10:26,310
and you to appear with him...

1705
01:10:26,310 --> 01:10:28,229
This is what you need, understand?

1706
01:10:28,229 --> 01:10:31,691
It's not about political correctness.

1707
01:10:31,691 --> 01:10:34,819
No mitigation of the blows.

1708
01:10:34,819 --> 01:10:37,030
I want you to burn an "R" (from Runaway) right here,

1709
01:10:37,030 --> 01:10:40,074
on his cheek, and the same on the girl.

1710
01:10:40,074 --> 01:10:43,244
To step into the role and work with Quentin,

1711
01:10:43,244 --> 01:10:45,038
it was at first something special for me,

1712
01:10:45,038 --> 01:10:46,164
because he didn't know me.

1713
01:10:46,164 --> 01:10:47,332
You know, he knew Samuel.

1714
01:10:47,332 --> 01:10:48,249
He knew Christoph.

1715
01:10:48,249 --> 01:10:49,834
And he said to me: "Listen.

1716
01:10:49,834 --> 01:10:51,544
you know, on this set we're really going to put the bone to work."

1717
01:10:51,544 --> 01:10:53,546
So I started to say my lines

1718
01:10:53,546 --> 01:10:55,506
like a real Jim Crow guy,

1719
01:10:55,506 --> 01:10:57,508
like, you know, I was already in that guy's shoes.

1720
01:10:57,508 --> 01:10:58,718
And I remember Quentin saying, "Ah,

1721
01:10:58,718 --> 01:10:59,510
let's take a break."

1722
01:10:59,510 --> 01:11:00,136
He takes me to a room.

1723
01:11:00,136 --> 01:11:01,262
and says to me: "Hey, listen.

1724
01:11:01,262 --> 01:11:02,138
Listen.

1725
01:11:02,138 --> 01:11:03,514
You must...you must...pretend you're a slave."

1726
01:11:03,514 --> 01:11:04,307
I said, "What do you mean?" and he said:

1727
01:11:04,307 --> 01:11:07,268
"You...you must be...a slave."

1728
01:11:07,268 --> 01:11:08,519
And I said, "I don't understand."

1729
01:11:08,519 --> 01:11:11,606
And he says: "You're a bit too macho

1730
01:11:11,606 --> 01:11:13,566
and you look like you're in control."

1731
01:11:16,277 --> 01:11:18,738
That Louis bag and the Range Rover you drive,

1732
01:11:18,738 --> 01:11:20,406
all this must disappear from your head

1733
01:11:20,406 --> 01:11:22,492
because I don't want my choice for this role

1734
01:11:22,492 --> 01:11:26,412
be it a mistake... that i hired someone who is

1735
01:11:26,412 --> 01:11:28,831
as well-known as you or any other well-known person,

1736
01:11:28,831 --> 01:11:31,000
who could not break away from his personality

1737
01:11:31,000 --> 01:11:33,377
and that's why I work with the people I work with.

1738
01:11:35,880 --> 01:11:38,674
So starting from the next day, I left everything behind, at my home

1739
01:11:38,674 --> 01:11:44,472
and I immersed myself in...that kind of person who was so

1740
01:11:44,472 --> 01:11:48,184
strong inside, but afraid to let it come out

1741
01:11:48,184 --> 01:11:51,521
in evidence because he would have been killed immediately.

1742
01:11:51,521 --> 01:11:53,940
Imagine someone here seeing a person they love 

1743
01:11:53,940 --> 01:11:58,319
and he cannot say anything because they would both be killed immediately.

1744
01:11:58,319 --> 01:12:02,907
Broomhilda, come and mount my horse.

1745
01:12:02,907 --> 01:12:08,913
Broomhilda...that was really powerful stuff.

1746
01:12:08,913 --> 01:12:12,083
Even in rehearsals, I had to do certain things

1747
01:12:12,083 --> 01:12:15,002
in order to bring fear out of my character

1748
01:12:15,002 --> 01:12:17,547
When she was in front of Sam because he was always like that...

1749
01:12:17,547 --> 01:12:19,549
he yelled at everyone.

1750
01:12:19,549 --> 01:12:21,759
I can say it is

1751
01:12:21,759 --> 01:12:24,262
probably the best actor I've ever worked with.

1752
01:12:24,262 --> 01:12:25,805
you scare me

1753
01:12:25,805 --> 01:12:28,599
But why are you afraid of me?

1754
01:12:28,599 --> 01:12:31,769
Because you're scary.

1755
01:12:31,769 --> 01:12:32,854
Oh shit.

1756
01:12:32,854 --> 01:12:34,939
Oh damn, that's really incredible.

1757
01:12:34,939 --> 01:12:36,858
I told Quentin that Stephen has it too

1758
01:12:36,858 --> 01:12:37,942
his fans.

1759
01:12:37,942 --> 01:12:41,028
Stephen could read, write, count,

1760
01:12:41,028 --> 01:12:42,155
do all these things

1761
01:12:42,155 --> 01:12:43,114
and you would have a disguise.

1762
01:12:43,114 --> 01:12:45,575
He was disguised as an old and weak man,

1763
01:12:45,575 --> 01:12:47,118
that is, exactly in something that he was not.

1764
01:12:47,118 --> 01:12:49,245
He realized that 

1765
01:12:49,245 --> 01:12:51,497
that land of prosperity, he was the king.

1766
01:12:51,497 --> 01:12:54,167
Even when Calvin was at home, he was still king.

1767
01:12:54,167 --> 01:12:56,085
Will he stay in the big house?

1768
01:12:56,085 --> 01:12:57,795
Stephen, he's a slave trader.

1769
01:12:57,795 --> 01:12:58,796
He is different from others who look like him.

1770
01:12:58,796 --> 01:13:00,214
In the big house?

1771
01:13:00,214 --> 01:13:01,466
This character is like a king of characters.

1772
01:13:01,466 --> 01:13:02,049
And that's why...

1773
01:13:02,049 --> 01:13:02,675
...I think people love

1774
01:13:02,675 --> 01:13:03,718
his characters... because

1775
01:13:03,718 --> 01:13:05,261
his characters are honest, whether you like them or not,

1776
01:13:05,261 --> 01:13:06,679
whether you agree with them or not,

1777
01:13:06,679 --> 01:13:07,972
they are what they are.

1778
01:13:07,972 --> 01:13:09,182
The film has already sparked

1779
01:13:09,182 --> 01:13:12,518
controversy due to the repeated use of the word with "C" (Cioara).

1780
01:13:12,518 --> 01:13:15,313
Now director Spike Lee says he won't be going to see this movie.

1781
01:13:15,313 --> 01:13:16,939
Spike... Spike Lee,

1782
01:13:16,939 --> 01:13:18,566
which you know I respect...and Spike Lee,

1783
01:13:18,566 --> 01:13:21,485
you know, spike lee is just that kind of black man.

1784
01:13:21,485 --> 01:13:25,990
You know, it's like Spike Lee is...

1785
01:13:25,990 --> 01:13:30,870
an old man with a nice little house, which has grass in the yard.

1786
01:13:30,870 --> 01:13:33,414
Don't step on my grass, you bastards.

1787
01:13:35,750 --> 01:13:38,878
This is my lawn, every blade of grass is.

1788
01:13:39,420 --> 01:13:41,297
The bastards.

1789
01:13:41,297 --> 01:13:42,256
You know.

1790
01:13:42,256 --> 01:13:43,549
You will never hear him

1791
01:13:43,549 --> 01:13:45,343
Samuel Jackson saying

1792
01:13:45,343 --> 01:13:48,888
crow, crow, crow, if he feels he would demean someone.

1793
01:13:48,888 --> 01:13:50,890
You know, I mean Samuel Jackson will turn on you

1794
01:13:50,890 --> 01:13:52,683
and he will show you where to go.

1795
01:13:52,683 --> 01:13:54,977
If you mean Twelve Years A Slave,

1796
01:13:54,977 --> 01:13:57,772
which is supposed to be made by an "author",

1797
01:13:57,772 --> 01:14:01,025
you realize that Steve McQueen is very different from Quentin.

1798
01:14:01,025 --> 01:14:04,779
Hear songs that say "crow"

1799
01:14:04,779 --> 01:14:07,073
three hundred times and no one says anything about it.

1800
01:14:07,073 --> 01:14:08,115
Nigger Run,
(The crow runs)

1801
01:14:08,115 --> 01:14:12,578
Nigger Flew, Nigger Tore His Shirt In Two, 
(crow fly, crow tear your shirt in two)

1802
01:14:12,578 --> 01:14:14,914
Run, Run Or The Pattyroller Will Get You
(run, run or the power will catch you)

1803
01:14:14,914 --> 01:14:16,374
Run Nigger, Run You Better Get Away
(so run crow, run to get rid of it)

1804
01:14:16,374 --> 01:14:19,043
So, it's OK for him to say it because

1805
01:14:19,043 --> 01:14:23,422
artistically attack the system or the way people

1806
01:14:23,422 --> 01:14:25,091
I think and feel.

1807
01:14:25,091 --> 01:14:28,302
What Quentin does is just scratch

1808
01:14:28,302 --> 01:14:29,595
the blackboard with the nails.

1809
01:14:29,595 --> 01:14:31,347
You know, but that's not true.

1810
01:14:31,347 --> 01:14:33,808
There is no lack of honesty in what he writes

1811
01:14:33,808 --> 01:14:36,435
or in the way people speak, feel or address themselves.

1812
01:14:36,435 --> 01:14:38,062
That's it!

1813
01:14:38,062 --> 01:14:40,064
Consumers, especially black consumers,

1814
01:14:40,064 --> 01:14:42,149
I understand this is a movie.

1815
01:14:42,149 --> 01:14:45,069
Sometimes we are a bit confused about 

1816
01:14:45,069 --> 01:14:47,822
sensitivity level with... with all,

1817
01:14:47,822 --> 01:14:50,157
because no one really paid attention to it.

1818
01:14:50,157 --> 01:14:52,285
They came to see something made by their favorite director,

1819
01:14:52,285 --> 01:14:54,870
the way he leads the performance of some of their favorite stars.

1820
01:14:54,870 --> 01:14:57,456
If it's Quentin, if it's Samuel,

1821
01:14:57,456 --> 01:14:59,583
if it's Leo, if it's Christoph,

1822
01:14:59,583 --> 01:15:02,003
if it's Carry Washington, if it's me.

1823
01:15:02,003 --> 01:15:05,548
It is very hard for me to believe that we can spoil something like this.

1824
01:15:05,548 --> 01:15:07,508
All three are champions.

1825
01:15:08,509 --> 01:15:10,803
Samson is a champion.

1826
01:15:10,803 --> 01:15:12,263
The other two are pretty good.

1827
01:15:14,724 --> 01:15:16,309
Calvin ... you know we live in a political society

1828
01:15:16,309 --> 01:15:19,061
correct now, where almost everything,

1829
01:15:19,061 --> 01:15:20,980
strangle the art a little.

1830
01:15:22,732 --> 01:15:25,484
That was the way it was then.

1831
01:15:25,484 --> 01:15:27,361
what's your name boy

1832
01:15:27,361 --> 01:15:29,739
His name is Django Freeman.

1833
01:15:29,739 --> 01:15:31,699
His characters are a part of him.

1834
01:15:31,699 --> 01:15:32,742
That's how he creates.

1835
01:15:32,742 --> 01:15:34,452
For him, they are living people.

1836
01:15:34,452 --> 01:15:37,872
It's a story his mother told me about the weather

1837
01:15:37,872 --> 01:15:40,750
when he was a little boy and played with plastic soldiers

1838
01:15:40,750 --> 01:15:42,293
and used foul language.

1839
01:15:42,293 --> 01:15:44,211
And I think it says something like, you know:

1840
01:15:44,211 --> 01:15:45,421
"Go to hell. Die."

1841
01:15:45,421 --> 01:15:46,380
And you know, other words like that.

1842
01:15:46,380 --> 01:15:47,965
And she appeared from around the corner and she said to him:

1843
01:15:47,965 --> 01:15:49,508
Quentin, stop using that language.

1844
01:15:49,508 --> 01:15:50,843
And he said, "I didn't say that, Mother.

1845
01:15:50,843 --> 01:15:51,510
These soldiers.

1846
01:15:51,510 --> 01:15:53,179
That's the way they talk."

1847
01:15:54,930 --> 01:15:56,432
I got two guns, bitch.

1848
01:16:00,436 --> 01:16:02,605
You said that in your 76 years on this plantation,

1849
01:16:02,605 --> 01:16:05,358
you seen all kinds of shit done by niggas

1850
01:16:05,358 --> 01:16:06,984
but i noticed...

1851
01:16:06,984 --> 01:16:08,277
that you didn't mention hitting the knees.

1852
01:16:08,277 --> 01:16:10,029
Oh my God!

1853
01:16:10,029 --> 01:16:11,489
You bastard!

1854
01:16:11,489 --> 01:16:14,742
Leonardo DiCaprio had trouble saying "crow."

1855
01:16:14,742 --> 01:16:15,534
"Dude.

1856
01:16:15,534 --> 01:16:16,869
Dude, it's just...

1857
01:16:16,869 --> 01:16:19,413
it's just...it's hard for me to say that."

1858
01:16:19,413 --> 01:16:21,374
And, uh, I remember Samuel Jackson tell him,

1859
01:16:21,374 --> 01:16:22,625
get over it you bastard.

1860
01:16:22,625 --> 01:16:23,959
This is just another Tuesday, you bastard.

1861
01:16:23,959 --> 01:16:25,503
My ass doesn't even hurt from these bastards.

1862
01:16:25,503 --> 01:16:27,129
Look at me, motherfucker.

1863
01:16:27,129 --> 01:16:29,215
Damn it! And it was like...

1864
01:16:29,215 --> 01:16:30,508
You know, and I said, "Yeah."

1865
01:16:30,508 --> 01:16:32,134
I said, "Leo, Leo, we're not...we're not friends."

1866
01:16:32,134 --> 01:16:33,677
I said, "This is just another Thursday.

1867
01:16:33,677 --> 01:16:35,930
This is your property.

1868
01:16:35,930 --> 01:16:37,014
These are not people.

1869
01:16:37,014 --> 01:16:38,349
These are your property."

1870
01:16:42,061 --> 01:16:43,521
And when Leo came the next day,

1871
01:16:43,521 --> 01:16:45,147
it was literally like saying, "Leo, what's up?

1872
01:16:46,774 --> 01:16:47,733
what is it bro?"

1873
01:16:48,859 --> 01:16:49,860
But he didn't say anything.

1874
01:16:50,486 --> 01:16:51,862
Don't mind the fact that I will take care of this crow

1875
01:16:51,862 --> 01:16:53,447
anyway I think it's appropriate.

1876
01:16:54,490 --> 01:16:56,033
It's your crow.

1877
01:17:00,204 --> 01:17:04,250
Mr. Stonesipher, leave Serif and his whores alone

1878
01:17:04,250 --> 01:17:07,044
to send D'Artagnan to the heaven of crows.

1879
01:17:07,044 --> 01:17:10,172
Quentin allowed us to go back in time

1880
01:17:10,172 --> 01:17:13,467
and it was...it was all very real. It was done that way on purpose.

1881
01:17:13,467 --> 01:17:18,222
Leonardo has a gigantic sequence where he becomes

1882
01:17:18,222 --> 01:17:21,225
wise because he understands what Schultz and Django are up to.

1883
01:17:21,225 --> 01:17:25,229
He lowered his hand and broke the glass.

1884
01:17:25,229 --> 01:17:29,316
So the blood was running down his hand.

1885
01:17:29,316 --> 01:17:31,944
It's a bit white in the face.

1886
01:17:31,944 --> 01:17:33,362
Leo never gives up.

1887
01:17:33,362 --> 01:17:34,780
He moves on because he knows that

1888
01:17:34,780 --> 01:17:35,906
it's a big stake.

1889
01:17:35,906 --> 01:17:38,576
Where had I been?

1890
01:17:38,576 --> 01:17:41,912
Quentin was right there by the room next to him,

1891
01:17:41,912 --> 01:17:43,497
not in a room in front of a video screen.

1892
01:17:43,497 --> 01:17:44,874
In fact, there is no place for monitors at any of Tarantino's films

1893
01:17:44,874 --> 01:17:47,710
and no room to watch the filming on the screen.

1894
01:17:47,710 --> 01:17:50,254
And you can feel it in the actors' performances.

1895
01:17:50,254 --> 01:17:54,967
Broomhilda here is my property and I can decide

1896
01:17:54,967 --> 01:17:59,263
what I want to do with my property.

1897
01:17:59,263 --> 01:18:01,140
After Leonardo finished saying that, you know,

1898
01:18:01,140 --> 01:18:03,309
his fellow actors, the film crew,

1899
01:18:03,309 --> 01:18:06,270
practically everyone present gave him a standing ovation.

1900
01:18:06,270 --> 01:18:08,272
And I think it was the first time

1901
01:18:08,272 --> 01:18:11,358
when Leo was really in that atmosphere,

1902
01:18:11,358 --> 01:18:13,611
of brotherhood, dominated by the spirit of fun.

1903
01:18:13,611 --> 01:18:14,987
After a hundred rolls of film shot,

1904
01:18:14,987 --> 01:18:16,864
I was suddenly...I was chained,

1905
01:18:16,864 --> 01:18:18,949
and suddenly the music started to be heard.

1906
01:18:18,949 --> 01:18:21,160
Ba-ba-ba-ba-ba-ba-ba...

1907
01:18:21,160 --> 01:18:22,286
I was like... what's going on?

1908
01:18:22,286 --> 01:18:22,703
what is this

1909
01:18:22,703 --> 01:18:23,579
They started bringing tequila shots.

1910
01:18:23,579 --> 01:18:25,331
I said: What is this? Oh shit!

1911
01:18:25,331 --> 01:18:26,499
It's really cool. I was like, what the hell?

1912
01:18:26,499 --> 01:18:28,000
I said: What kind of set is this?

1913
01:18:28,000 --> 01:18:29,752
And he's like, "That's my kind of set, you bastard."

1914
01:18:30,294 --> 01:18:31,295
Quentin called us

1915
01:18:31,295 --> 01:18:33,631
everyone and...and we were waiting

1916
01:18:33,631 --> 01:18:37,426
for everyone to gather around and talk and...

1917
01:18:37,426 --> 01:18:39,637
And then Quentin shows up and says, "Okay.

1918
01:18:39,637 --> 01:18:43,182
I thought about this scene for a long time this morning as well

1919
01:18:43,182 --> 01:18:45,851
at three o'clock I came to the conclusion,

1920
01:18:45,851 --> 01:18:49,146
that this will happen like this."

1921
01:18:49,146 --> 01:18:51,440
And then he performed the whole scene,

1922
01:18:51,440 --> 01:18:55,069
with this great battle inside the room.

1923
01:18:57,321 --> 01:18:59,782
And then Quentin said, "Well,

1924
01:18:59,782 --> 01:19:01,492
I thought that would be the end of the movie,

1925
01:19:01,492 --> 01:19:03,994
but then this happens."

1926
01:19:03,994 --> 01:19:06,080
And he threw himself on the floor.

1927
01:19:06,080 --> 01:19:07,832
And then he jumped up and threw his gun.

1928
01:19:07,832 --> 01:19:11,335
You know, I think he had fifteen characters and he shot himself

1929
01:19:11,335 --> 01:19:15,089
and... and performed the whole scene.

1930
01:19:15,089 --> 01:19:16,799
Bob Richardson was standing there,

1931
01:19:18,509 --> 01:19:22,972
you know, trying to control his blood pressure.

1932
01:19:22,972 --> 01:19:26,559
And...and...the stunt coordinator,

1933
01:19:26,559 --> 01:19:29,979
who is about two meters tall and very wide behind

1934
01:19:29,979 --> 01:19:33,524
he was leaning against the wall like this.

1935
01:19:33,524 --> 01:19:37,361
And...and the special effects guy

1936
01:19:37,361 --> 01:19:38,529
she started to cry.

1937
01:19:38,529 --> 01:19:48,372
The entrance hall was literally destroyed

1938
01:19:48,372 --> 01:19:53,711
and blood spattered all the way to the 2nd floor.

1939
01:19:53,711 --> 01:19:55,754
Blood to the floor on that floor,

1940
01:19:55,754 --> 01:19:57,798
blood literally everywhere.

1941
01:19:57,798 --> 01:19:58,549
Oh!

1942
01:19:58,549 --> 01:19:58,966
God!

1943
01:19:58,966 --> 01:20:00,551
Interior furniture,

1944
01:20:00,551 --> 01:20:04,680
it had been broken to the size of toothpicks.

1945
01:20:04,680 --> 01:20:08,058
And you want to tell me this can be a true story?

1946
01:20:08,058 --> 01:20:10,477
What happened on the set is true.

1947
01:20:10,477 --> 01:20:14,398
True is what happens on the screen.

1948
01:20:14,398 --> 01:20:17,234
But is it also violence? Not.

1949
01:20:18,193 --> 01:20:20,070
Violence is only created.

1950
01:20:21,488 --> 01:20:24,241
Django...!

1951
01:20:24,658 --> 01:20:26,952
Son of...

1952
01:20:26,952 --> 01:20:29,246
Django is not trying to cure slavery.

1953
01:20:30,331 --> 01:20:32,124
He just wants to eliminate the people who made them

1954
01:20:32,124 --> 01:20:33,459
bad and who took his girlfriend.

1955
01:20:36,420 --> 01:20:37,880
This is a love story.

1956
01:20:41,050 --> 01:20:42,843
Django is... is... the superhero.

1957
01:20:42,843 --> 01:20:45,054
He's the guy who disappears into the sunset at the end of the movie.

1958
01:20:45,054 --> 01:20:47,514
And there aren't many black characters who do that in movies.

1959
01:20:47,514 --> 01:20:49,475
You don't see black characters in Hollywood

1960
01:20:49,475 --> 01:20:53,062
who solves slavery problems by doing what he does,

1961
01:20:53,062 --> 01:20:55,314
that he kills the evil white man, good people, that he recovers his lover,

1962
01:20:55,314 --> 01:20:56,940
and disappears in the sunset light.

1963
01:21:14,291 --> 01:21:15,501
It is about eight people caught

1964
01:21:15,501 --> 01:21:17,419
in a blizzard at a stagecoach station

1965
01:21:17,419 --> 01:21:19,004
in the middle of the wilderness.

1966
01:21:19,004 --> 01:21:22,341
It's a movie mixed with a western, about who made it,

1967
01:21:22,341 --> 01:21:24,635
and revenge. It's all these things.

1968
01:21:24,635 --> 01:21:25,886
Do you want to make a deal?

1969
01:21:25,886 --> 01:21:26,595
Isn't that so?

1970
01:21:26,595 --> 01:21:28,847
Chris, the deal is still standing.

1971
01:21:28,847 --> 01:21:31,350
You haven't done anything that we can forgive.

1972
01:21:31,350 --> 01:21:33,477
Hayeful Eight is like a book ending 

1973
01:21:33,477 --> 01:21:35,979
at Reservoir Dogs.

1974
01:21:35,979 --> 01:21:37,648
Only it is full of misfortunes.

1975
01:21:40,275 --> 01:21:41,694
This man staged everything for us.

1976
01:21:41,694 --> 01:21:44,488
He creates an initial scenario,

1977
01:21:44,488 --> 01:21:46,323
an initial group of people,

1978
01:21:47,908 --> 01:21:49,910
which they throw together

1979
01:21:49,910 --> 01:21:51,286
very often in one room.

1980
01:21:51,286 --> 01:21:56,333
And then, he explores what might happen by putting

1981
01:21:56,333 --> 01:21:59,211
this group of people in the same room,

1982
01:21:59,211 --> 01:22:01,714
like in Reservoir Dogs and Hateful Eight.

1983
01:22:01,714 --> 01:22:03,257
It is a fully assembled assembly,

1984
01:22:03,257 --> 01:22:06,844
which is quite incredible because you have eight people

1985
01:22:06,844 --> 01:22:10,472
to talk to each other about some very specific things,

1986
01:22:10,472 --> 01:22:14,643
interesting and sometimes very hateful.

1987
01:22:14,643 --> 01:22:21,150
What. .. damn it

1988
01:22:21,150 --> 01:22:24,528
He allows the characters to be brought to life

1989
01:22:24,528 --> 01:22:27,197
by some actors he chose to portray them.

1990
01:22:28,407 --> 01:22:30,492
He played me a piece of music and then said,

1991
01:22:30,492 --> 01:22:32,536
"I think it would be nice if Daisy could play the guitar

1992
01:22:32,536 --> 01:22:34,288
and sing this song."

1993
01:22:34,288 --> 01:22:35,956
It made me push myself

1994
01:22:35,956 --> 01:22:38,292
to keep practicing on that damned instrument

1995
01:22:38,292 --> 01:22:41,545
Day by day, whenever I wasn't supposed to be on set.

1996
01:22:41,545 --> 01:22:45,257
I'll kill you bastards one and all 

1997
01:22:45,257 --> 01:22:48,969
I'll gun the floggers down It
- I had never played the guitar before

1997
01:22:48,969 --> 01:22:50,846
in my life.

1999
01:22:50,846 --> 01:22:55,517
And you'll be dead behind me, John

2000
01:22:55,517 --> 01:23:00,022
When I get to Mexico.

2001
01:23:00,022 --> 01:23:01,565
He wanted to see that this song was coming from inside me.

2002
01:23:01,565 --> 01:23:03,108
And when you sing a song just for yourself,

2003
01:23:03,108 --> 01:23:05,944
as if everything comes from you.

2004
01:23:05,944 --> 01:23:07,654
Give me that guitar.

2005
01:23:07,654 --> 01:23:10,157
I think he has a way of getting into every character

2006
01:23:10,157 --> 01:23:14,036
and allows them to breathe

2007
01:23:14,036 --> 01:23:15,621
and create their own life.

2008
01:23:15,621 --> 01:23:19,458
He gave me the script.

2009
01:23:19,458 --> 01:23:23,003
He says, "Look. You're Joe Gage."

2010
01:23:23,003 --> 01:23:25,380
A bastard's work never ends,

2011
01:23:25,380 --> 01:23:27,716
isn't that right, John Ruth?

2012
01:23:27,716 --> 01:23:29,593
Joe Gage, you are so right here.

2013
01:23:29,593 --> 01:23:32,638
And I said, "Thank you for thinking of me."

2014
01:23:32,638 --> 01:23:36,558
And he says, "Michael, you've been with me, there from the beginning,

2015
01:23:36,558 --> 01:23:40,646
and by God, you will be here now, you know."

2016
01:23:47,820 --> 01:23:49,738
I noticed it was the same man,

2017
01:23:50,864 --> 01:23:54,743
but with much more knowledge in the bag.

2018
01:23:54,743 --> 01:23:57,621
Much more knowledgeable than he was in the beginning, you know.

2019
01:23:57,621 --> 01:23:58,956
He was paying more attention now.

2020
01:24:00,040 --> 01:24:04,336
He had also become much more sophisticated as a director.

2021
01:24:04,336 --> 01:24:07,548
His ability to fix and handle the camera,

2022
01:24:07,548 --> 01:24:11,093
her movement and her choreography is much more pronounced

2023
01:24:11,093 --> 01:24:14,930
and you could see his true growth.

2024
01:24:14,930 --> 01:24:17,641
You were also seeing his maturation as a human being.

2025
01:24:17,641 --> 01:24:19,560
He could now see the same things,

2026
01:24:19,560 --> 01:24:22,479
through the prism of the position he had reached now.

2027
01:24:22,479 --> 01:24:25,858
Someone said that, uh, Kurt Russell's character was

2028
01:24:25,858 --> 01:24:27,651
built in the image of ... yes, Harvey Weinstein

2029
01:24:27,651 --> 01:24:29,903
I think John Ruth was a much nicer guy than

2030
01:24:29,903 --> 01:24:31,113
Harvey Weinstein.

2031
01:24:31,113 --> 01:24:32,239
If Kurt was to be Harvey,

2032
01:24:32,239 --> 01:24:34,992
Then he was definitely referring to Harvey's good side.

2033
01:24:34,992 --> 01:24:36,577
If you spoil that letter of his,

2034
01:24:36,577 --> 01:24:38,662
that bitch is going to crush your ass.

2035
01:24:38,662 --> 01:24:41,623
And when he does, I'll be behind the wagon

2036
01:24:41,623 --> 01:24:43,292
I will look and laugh.

2037
01:24:43,292 --> 01:24:45,669
Yes, if you read the lines on the script page

2038
01:24:45,669 --> 01:24:47,004
everything was a bit more precise.

2039
01:24:47,004 --> 01:24:49,131
Kurt is the most charming person on the planet.

2040
01:24:49,131 --> 01:24:52,926
When the sun rises, I'll take this woman inside

2041
01:24:52,926 --> 01:24:55,262
Red Rock to be hanged.

2042
01:24:55,262 --> 01:24:58,390
The association between Quentin and Harvey

2043
01:24:58,390 --> 01:24:59,808
for over twenty five years,

2044
01:24:59,808 --> 01:25:01,685
he was more of a good brother.

2045
01:25:01,685 --> 01:25:04,021
It was a pretty good combination of power

2046
01:25:04,021 --> 01:25:07,733
Hollywood and QT's talent.

2047
01:25:07,733 --> 01:25:10,152
In the past, at the Weinstein Company,

2048
01:25:10,152 --> 01:25:13,280
everything he said was the word of God.

2049
01:25:13,280 --> 01:25:15,449
Guys like him were like a toll booth,

2050
01:25:17,034 --> 01:25:17,701
do you know

2051
01:25:17,701 --> 01:25:20,829
He won, he made enough money for everybody.

2052
01:25:23,081 --> 01:25:23,665
I shot on 70 mm,

2053
01:25:23,665 --> 01:25:27,502
because he knew that if we spend that much

2054
01:25:27,502 --> 01:25:29,254
shooting on 70 mm,

2055
01:25:29,254 --> 01:25:31,298
and the projection will also be done on 70 mm.

2056
01:25:31,298 --> 01:25:34,176
He considered that the projection was equally important

2057
01:25:34,176 --> 01:25:36,094
like capturing the image.

2058
01:25:36,094 --> 01:25:40,349
Quentin cared about cinema and was very caring about cinema

2059
01:25:40,349 --> 01:25:42,351
Which literally means caring for the cinema,

2060
01:25:42,351 --> 01:25:45,312
it was actually for film, the love of cinema,

2061
01:25:45,312 --> 01:25:47,814
and what he looks and feels,

2062
01:25:47,814 --> 01:25:50,567
makes him not feel the need for digital technology

2063
01:25:50,567 --> 01:25:55,447
to achieve that image's impact on us.

2064
01:25:55,447 --> 01:25:56,531
He just bought a cinema.

2065
01:25:56,531 --> 01:25:58,408
He is the owner of the new Beverly Cinema.

2066
01:25:58,408 --> 01:26:01,328
I was there recently, when I had to present some films.

2067
01:26:01,328 --> 01:26:03,038
I love the new Beverly. I was there last week.

2068
01:26:03,038 --> 01:26:04,164
We watched a copy of the movie Seven,

2069
01:26:04,164 --> 01:26:05,248
which was projected from a film that had a silver layer on it.

2070
01:26:05,248 --> 01:26:06,541
It was incredible.

2071
01:26:06,541 --> 01:26:07,292
It was so beautiful.

2072
01:26:07,292 --> 01:26:09,086
Quentin leaned towards me and said:

2073
01:26:09,086 --> 01:26:10,170
"Look carefully.

2074
01:26:10,170 --> 01:26:11,421
You will never see this movie again

2075
01:26:11,421 --> 01:26:12,172
looking so good.

2076
01:26:12,172 --> 01:26:14,758
It's sad, but true.

2077
01:26:14,758 --> 01:26:16,301
He wrote the screenplay for Glorious Basterds 

2078
01:26:16,301 --> 01:26:20,138
six times the sequence will be filmed in 70 mm per

2079
01:26:20,138 --> 01:26:20,931
the first twenty pages.

2080
01:26:20,931 --> 01:26:23,016
And my face dropped when I saw that.

2081
01:26:23,016 --> 01:26:24,393
And I said: "You're joking, aren't you?

2082
01:26:24,393 --> 01:26:25,852
Are you really going to do that?"

2083
01:26:46,415 --> 01:26:48,834
Once he discovered this great, gorgeous,

2084
01:26:48,834 --> 01:26:51,378
beautiful 70 mm format,

2085
01:26:51,378 --> 01:26:55,465
he realized that he could shoot sequences with high loads of intimacy.

2086
01:26:55,465 --> 01:26:57,801
He had shot about a hundred close-ups of Sam Jackson,

2087
01:26:57,801 --> 01:26:59,720
but he had never had one before with Sam Jackson

2088
01:26:59,720 --> 01:27:01,388
in which it looks like this.

2089
01:27:01,388 --> 01:27:05,100
And you could literally go deeper under

2090
01:27:05,100 --> 01:27:07,352
the skin and in the hearts and minds of these

2091
01:27:07,352 --> 01:27:10,814
characters and when you saw these wide images

2092
01:27:10,814 --> 01:27:14,401
you felt like you were in a theater.

2093
01:27:14,401 --> 01:27:16,820
Everyone had to be in every moment of the filming 

2094
01:27:16,820 --> 01:27:19,823
in the room, permanently.

2095
01:27:19,823 --> 01:27:21,908
I really don't know if Quentin really felt it

2096
01:27:21,908 --> 01:27:24,619
very comfortable shooting on 70 mm

2097
01:27:24,619 --> 01:27:28,707
if Bob Richardson wasn't his operating partner.

2098
01:27:28,707 --> 01:27:30,792
Bob brought so much knowledge to their shared table

2099
01:27:30,792 --> 01:27:34,004
technically and creatively.

2100
01:27:34,004 --> 01:27:39,259
Quentin's exuberance and enthusiasm for movies

2101
01:27:39,259 --> 01:27:43,472
and filmmaking is incredibly vast.

2102
01:27:43,472 --> 01:27:46,975
And that's how he made Reservoir Dogs

2103
01:27:46,975 --> 01:27:49,144
and that's how he does the Hateful Eight,

2104
01:27:49,144 --> 01:27:52,981
and spiritually this is contagious.

2105
01:27:54,274 --> 01:27:56,610
Quentin values ​​friendship.

2106
01:27:56,610 --> 01:27:59,863
Quentin values ​​deep relationships.

2107
01:27:59,863 --> 01:28:04,368
Quentin values the feeling of family

2108
01:28:04,368 --> 01:28:07,204
existing against some that is stronger than a real blood bond

2109
01:28:07,204 --> 01:28:09,289
And I think you saw that on our set.

2110
01:28:09,289 --> 01:28:11,583
This was very good.

2111
01:28:11,583 --> 01:28:12,709
We have the same people in the team.

2112
01:28:12,709 --> 01:28:14,836
The script supervisor was working with Quentin from

2113
01:28:14,836 --> 01:28:15,879
Reservoir Dogs.

2114
01:28:15,879 --> 01:28:18,298
The sound engineer, I think, has been with us since Pulp Fiction.

2115
01:28:18,298 --> 01:28:21,802
The makeup team, the stunt people, they all feel like

2116
01:28:21,802 --> 01:28:22,886
And how would you come home?

2117
01:28:22,886 --> 01:28:24,137
It's Quentin's way of working to create that family atmosphere

2118
01:28:24,137 --> 01:28:26,098
and to work with familiar faces around him 

2119
01:28:26,098 --> 01:28:29,684
but also his loyalty to his people,

2120
01:28:29,684 --> 01:28:31,103
against her team and against the actors chosen by him.

2121
01:28:31,103 --> 01:28:32,562
Music is heard almost all the time.

2122
01:28:32,562 --> 01:28:34,773
They talk a lot.

2123
01:28:34,773 --> 01:28:35,607
He laughs a lot about everything.

2124
01:28:35,607 --> 01:28:37,442
Quentin is the type to say, "No cell phones on set.

2125
01:28:37,442 --> 01:28:38,235
Let's get down to business."

2126
01:28:38,235 --> 01:28:40,904
And if you're caught with your cell phone on you,

2127
01:28:40,904 --> 01:28:42,614
you can be fired, it doesn't matter who you are.

2128
01:28:42,614 --> 01:28:44,658
We had this place called Checkpoint Charlie where you had to

2129
01:28:44,658 --> 01:28:47,035
put your closed phone in an airtight bag

2130
01:28:47,035 --> 01:28:48,829
with your name on it, so it doesn't exist

2131
01:28:48,829 --> 01:28:50,205
no cell phone on set.

2132
01:28:50,205 --> 01:28:51,498
And we were talking to each other,

2133
01:28:51,498 --> 01:28:53,458
we were dancing, singing, laughing.

2134
01:28:53,458 --> 01:28:55,085
We were talking about what we had done and

2135
01:28:55,085 --> 01:28:56,670
how we could do it better next time.

2136
01:28:56,670 --> 01:28:58,880
It was an extraordinary experience to be on

2137
01:28:58,880 --> 01:29:00,549
set when something was being filmed.

2138
01:29:00,549 --> 01:29:02,509
He often laughed between rehearsals.

2139
01:29:02,509 --> 01:29:03,343
He gave a standing ovation when something went well.

2140
01:29:03,343 --> 01:29:05,804
I could even hear him announcing the tests.

2141
01:29:05,804 --> 01:29:07,681
Fraire, sample 1.

2142
01:29:07,681 --> 01:29:09,975
2 penny sucker, sample 2.

2143
01:29:09,975 --> 01:29:15,814
Humble, sample 1, marked.

2144
01:29:15,814 --> 01:29:18,233
Prized, sample 1.
Precious...

2145
01:29:18,233 --> 01:29:25,115
His plateaus had become the only worthwhile experience

2146
01:29:25,115 --> 01:29:27,075
to be able to live.

2147
01:29:27,075 --> 01:29:28,869
What Quentin said pretty much all the time was:

2148
01:29:28,869 --> 01:29:35,375
"Okay, we've done this one and we can move on to the next one,

2149
01:29:35,375 --> 01:29:37,169
but we'll give it another go."

2150
01:29:37,169 --> 01:29:39,796
We will do it again.

2151
01:29:39,796 --> 01:29:40,964
Why?

2152
01:29:41,423 --> 01:29:47,387
Because we like to make movies.

2153
01:29:47,387 --> 01:29:49,473
I said, "Man, but I'm...and I...I'm on this train."

2154
01:29:50,307 --> 01:29:51,558
He is a fan of movies.

2155
01:29:51,558 --> 01:29:53,977
You know he likes movies.

2156
01:29:53,977 --> 01:29:55,437
He appreciates people.

2157
01:29:55,437 --> 01:29:57,981
He's a fan of fans.

2158
01:29:57,981 --> 01:30:00,108
He appreciates life.

2159
01:30:00,108 --> 01:30:02,611
His way of socializing is to invite someone to

2160
01:30:02,611 --> 01:30:03,945
they watch a movie together.

2161
01:30:03,945 --> 01:30:05,864
He used to gather us all together at his house.

2162
01:30:05,864 --> 01:30:07,908
He wanted to show us a movie of a certain kind.

2163
01:30:07,908 --> 01:30:09,284
Hey, everyone, come over here and sit down.

2164
01:30:09,284 --> 01:30:10,911
Let's see this.

2165
01:30:10,911 --> 01:30:12,412
He would go, get some popcorn and sit there

2166
01:30:12,412 --> 01:30:13,371
watching the movie together.

2167
01:30:13,371 --> 01:30:15,999
It was a collective experience.

2168
01:30:16,625 --> 01:30:19,753
This is how she presented it to us for the first time.

2169
01:30:19,753 --> 01:30:21,504
I was the group that contained, you know,

2170
01:30:21,504 --> 01:30:26,176
the people and actors he chose for his film.

2171
01:30:26,176 --> 01:30:28,178
After screening,

2172
01:30:28,178 --> 01:30:29,513
I couldn't help but notice something.

2173
01:30:29,513 --> 01:30:34,309
He wasn't just sweaty, he was simply drenched in sweat.

2174
01:30:34,309 --> 01:30:39,022
And yet, I have yet to meet anyone who honestly

2175
01:30:39,022 --> 01:30:42,442
to get as close as possible to his confidence level 

2176
01:30:42,442 --> 01:30:44,903
when it came to making a movie.

2177
01:30:44,903 --> 01:30:47,155
It's amazing to me that he still had it

2178
01:30:47,155 --> 01:30:48,198
the energy to see him through to the end.

2179
01:30:49,199 --> 01:30:51,576
But it shows, you know, how much he cares.

2180
01:30:58,708 --> 01:31:02,128
It was big and it was everywhere and everything.

2181
01:31:08,051 --> 01:31:09,844
And everyone was afraid of him.

2182
01:31:16,276 --> 01:31:22,494
               The New York Times
Harvey Weinstein accused of sexual abuse for years

2182
01:31:25,076 --> 01:31:28,494
Uma Thurman: Harvey Weinstein attacked me

2182
01:31:28,576 --> 01:31:30,894
Annabella Sciora accuses Weinstein of rape, 
Darryl Hanna claims the same thing happened to her

2182
01:31:30,976 --> 01:31:33,044
                     Los Angeles Times
No one took Rose McGowan's accusations seriously 
-Now everyone listens to her

2182
01:31:33,076 --> 01:31:34,494
Quentin and Harvey

2183
01:31:34,494 --> 01:31:36,246
The Weinsteins are two different animals.

2184
01:31:38,081 --> 01:31:38,498
I got hold of it.

2185
01:31:38,498 --> 01:31:40,583
I understand why many of these girls

2186
01:31:40,583 --> 01:31:41,668
they didn't say anything.

2187
01:31:42,752 --> 01:31:44,170
Their lives would depend on it.

2188
01:31:47,465 --> 01:31:50,969
And if my home, the safety of my children,

2189
01:31:53,305 --> 01:31:55,348
if all this depends on someone

2190
01:31:55,348 --> 01:31:59,436
who has power, like a Harvey Weinstein,

2191
01:31:59,436 --> 01:32:01,146
it's really scary.

2192
01:32:03,106 --> 01:32:07,027
That's the weak point of this car industry

2193
01:32:07,027 --> 01:32:09,738
no one knows, which is very dark

2194
01:32:09,738 --> 01:32:11,740
and it's very anapoda.

2195
01:32:12,699 --> 01:32:14,242
I have been told some things by a few people

2196
01:32:14,242 --> 01:32:15,827
which have not yet come to light.

2197
01:32:18,788 --> 01:32:20,623
I will say exactly what Quentin said.

2198
01:32:20,623 --> 01:32:21,499
He simply said to me, "Listen to me.

2199
01:32:21,499 --> 01:32:23,460
I've known about this for a long time.

2200
01:32:24,753 --> 01:32:26,504
And I should have said something, but I didn't."

2201
01:32:29,924 --> 01:32:31,259
The fear factor

2202
01:32:31,259 --> 01:32:33,219
it should not have existed in this case.

2203
01:32:33,219 --> 01:32:35,096
And that's what I think the average person doesn't understand,

2204
01:32:35,096 --> 01:32:38,850
i.e. fear and emotional blockage

2205
01:32:38,850 --> 01:32:43,563
which you are forced to enter.

2206
01:32:43,563 --> 01:32:44,105
oh god

2207
01:32:44,105 --> 01:32:45,690
I can't believe what happened.

2208
01:32:45,690 --> 01:32:47,692
And who should I tell this to?

2209
01:32:47,692 --> 01:32:51,071
And if I say something, I'm finished.

2210
01:32:51,071 --> 01:32:52,572
I won't act in any more movies and that's it

2211
01:32:52,572 --> 01:32:55,283
I won't be able to fulfill my lifelong dreams.

2212
01:32:55,283 --> 01:32:56,785
This is a very heavy blow indeed.

2213
01:33:09,339 --> 01:33:11,383
Now you have learned about those hundreds of

2214
01:33:11,383 --> 01:33:14,010
thousands of dollars that have been paid for these

2215
01:33:14,010 --> 01:33:16,096
girls in different situations.

2216
01:33:17,263 --> 01:33:18,181
But you also see people

2217
01:33:18,181 --> 01:33:19,682
who were complicit in this,

2218
01:33:19,682 --> 01:33:21,226
who followed his orders,

2219
01:33:21,226 --> 01:33:23,937
and who are as reprehensible and corrupt as him.

2220
01:33:24,396 --> 01:33:25,313
And a lot of that shit didn't show up

2221
01:33:25,313 --> 01:33:26,648
in Time magazine.

2222
01:33:26,648 --> 01:33:27,774
They are still hiding.

2223
01:33:27,774 --> 01:33:30,193
There are a lot of people who have been

2224
01:33:30,193 --> 01:33:32,028
more than happy to follow

2225
01:33:32,028 --> 01:33:34,197
orders and ideals,

2226
01:33:34,197 --> 01:33:35,699
uh, harvey's.

2227
01:33:39,202 --> 01:33:41,037
And the fact that your own body,

2228
01:33:41,037 --> 01:33:45,333
your face, your physique is what you have

2229
01:33:45,333 --> 01:33:47,502
used as a work tool,

2230
01:33:48,002 --> 01:33:49,921
and if that is trampled on 

2231
01:33:49,921 --> 01:33:51,589
and it's destroyed

2232
01:33:51,589 --> 01:33:54,175
and someone like harvey has the power to do that,

2233
01:33:54,175 --> 01:33:55,260
do not hire that person.

2234
01:33:55,552 --> 01:33:56,636
And the people who would take over

2235
01:33:56,636 --> 01:33:58,680
any call from a Harvey Weinstein,

2236
01:33:58,680 --> 01:33:59,889
"Oh, that was Harvey."

2237
01:33:59,889 --> 01:34:03,726
"Yes, she said not to hire her and..."

2238
01:34:09,482 --> 01:34:14,070
Instant break

2239
01:34:14,070 --> 01:34:16,364
by Harvey, marked the end of their relationship.

2240
01:34:18,278 --> 01:34:26,337
"I was shocked and pained by what came to light in connection
with my friend of 25 years Harvey Winstein"
                                           -Quentin Tarantino

2240
01:34:29,878 --> 01:34:31,337
It's the end of an era.

2241
01:34:33,256 --> 01:34:35,091
It's an era that certainly meant something

2242
01:34:35,091 --> 01:34:38,553
and which was envied by a lot of people.

2243
01:34:44,893 --> 01:34:46,102
He moved on.

2244
01:34:50,273 --> 01:34:51,483
And now he is making a new film.

2245
01:34:51,483 --> 01:34:53,109
He does Once Upon A Time In Hollywood.

2246
01:34:54,944 --> 01:34:55,695
And it is no longer done with

2247
01:34:55,695 --> 01:34:56,696
The Weinstein Company.

2248
01:34:57,363 --> 01:35:01,784
Quentin Tarantino is like a rock star.

2249
01:35:03,411 --> 01:35:06,080
Quentin Tarantino can make a movie about any subject

2250
01:35:06,080 --> 01:35:08,541
that matters to him, because Quentin Tarantino

2251
01:35:08,541 --> 01:35:10,752
it is still one step ahead of the film world.

2252
01:35:15,632 --> 01:35:17,217
He will not disappear.

2253
01:35:17,217 --> 01:35:19,260
That's why he says he will make ten films.

2254
01:35:19,260 --> 01:35:22,138
He doesn't want to be the type that people say:

2255
01:35:22,138 --> 01:35:23,681
"Oh, most of his movies were good,

2256
01:35:23,681 --> 01:35:26,226
but what he did once, you know, is something 

2257
01:35:26,226 --> 01:35:28,436
for which he is a little too old now,

2258
01:35:28,436 --> 01:35:29,312
you know

2259
01:35:29,312 --> 01:35:30,021
Be blessed."

2260
01:35:30,021 --> 01:35:30,730
He doesn't want that.

2261
01:35:30,730 --> 01:35:31,814
I don't know, man.

2262
01:35:31,814 --> 01:35:34,484
I think he should live to be a hundred and fifty or

2263
01:35:34,484 --> 01:35:37,320
two hundred years just to be able to achieve all that

2264
01:35:37,320 --> 01:35:38,613
he wants to achieve.

2265
01:35:38,613 --> 01:35:44,869
You know that all his characters are linked in time.

2266
01:35:44,869 --> 01:35:45,787
There is always some kind of

2267
01:35:45,787 --> 01:35:47,956
the family history that he goes through with his films.

2268
01:35:47,956 --> 01:35:48,748
I'm Doctor King Schultz.

2269
01:35:48,748 --> 01:35:50,208
This is my horse Fritz.

2270
01:35:51,125 --> 01:35:52,877
Is the list complete?
- Of course yes.

2271
01:35:53,545 --> 01:35:58,299
Dandy Michaels, Joe Nash, and...

2272
01:35:58,299 --> 01:35:59,425
Crazy Craig Koons.

2273
01:36:00,760 --> 01:36:03,263
He's Captain Koons.

2274
01:36:03,263 --> 01:36:06,140
He was in the prison camp with Dad.

2275
01:36:06,140 --> 01:36:07,350
You know there's a family connection,

2276
01:36:07,350 --> 01:36:08,977
that there is a red line to follow from the beginning

2277
01:36:08,977 --> 01:36:09,978
until the end.

2278
01:36:11,938 --> 01:36:14,274
Hello, little one.

2279
01:36:14,274 --> 01:36:16,150
So I play him in Hateful Eight,

2280
01:36:16,150 --> 01:36:19,362
On the street. ..stra... grandfather

2281
01:36:19,362 --> 01:36:21,489
to Michael Fassbender who is the character

2282
01:36:21,489 --> 01:36:22,949
from Inglourious Basterds.

2283
01:36:22,949 --> 01:36:26,452
I was watching Kill Bill, and I saw Earl McGraw alive

2284
01:36:26,452 --> 01:36:29,205
being in character in it together with his son, James Parks.

2285
01:36:29,205 --> 01:36:31,875
I said, "Well, they were killed in Dust Till Down 1 and 2."

2286
01:36:31,875 --> 01:36:33,793
He says, "But what you see now happens before Dust Till Down."

2287
01:36:33,793 --> 01:36:34,836
And I'm like, "Oh, my God.

2288
01:36:34,836 --> 01:36:37,422
Well, you did... something that reminds me of

2289
01:36:37,422 --> 01:36:38,548
what did norman lear do, you know

2290
01:36:38,548 --> 01:36:40,925
who from All In The Family made The Jeffersons and

2291
01:36:40,925 --> 01:36:42,468
from The Jeffersons was born The Good Times

2292
01:36:42,468 --> 01:36:43,803
and so on and so on.

2293
01:36:43,803 --> 01:36:46,180
He was going to do The Vega Brothers,

2294
01:36:46,180 --> 01:36:47,807
who was John and I,

2295
01:36:47,807 --> 01:36:48,850
Which would have been great

2296
01:36:48,850 --> 01:36:49,684
right?

2297
01:36:49,684 --> 01:36:50,768
Because the film can be believable,

2298
01:36:50,768 --> 01:36:51,394
right?

2299
01:36:51,394 --> 01:36:54,689
That would mean it would have to be pre-Pulp Fiction
because in this we are both killed,

2300
01:36:54,689 --> 01:36:56,399
and it wouldn't make any sense,

2301
01:36:56,399 --> 01:36:58,234
but so be it.

2302
01:36:58,234 --> 01:36:59,444
He made his ten films.

2303
01:36:59,444 --> 01:37:00,695
But he will also do other things.

2304
01:37:00,695 --> 01:37:03,364
And I know some of his plans and I am

2305
01:37:03,364 --> 01:37:04,407
amazing

2306
01:37:04,407 --> 01:37:06,451
Are you writing your life story?

2307
01:37:06,451 --> 01:37:08,119
Be sure it is.

2308
01:37:08,119 --> 01:37:09,537
Do I appear in it too?

2309
01:37:09,537 --> 01:37:12,832
You just appeared.

2310
01:37:12,832 --> 01:37:14,542
I really wonder if when he will start writing books too

2311
01:37:14,542 --> 01:37:16,336
if he will do something like that, if some of the characters in the movies

2312
01:37:16,336 --> 01:37:17,670
they will also appear in his novels.

2313
01:37:19,339 --> 01:37:21,090
It's completely done. It's one hundred percent done.

2314
01:37:21,090 --> 01:37:24,302
He sacrificed his love affair,

2315
01:37:24,302 --> 01:37:26,346
to have children and all that to have

2316
01:37:26,346 --> 01:37:28,348
follow the dream

2317
01:37:28,348 --> 01:37:30,892
He is a complete filmmaker
and...and an artist in

2318
01:37:30,892 --> 01:37:32,101
the full meaning of the word.

2319
01:37:33,311 --> 01:37:34,187
We will miss him.

2320
01:37:34,187 --> 01:37:37,273
We will miss the things it could bring us.

2321
01:37:37,273 --> 01:37:39,317
And that goes for all of us.

2322
01:37:39,317 --> 01:37:41,527
If your phone vibrates in your pocket

2323
01:37:41,527 --> 01:37:43,029
and take it out of your pocket

2324
01:37:43,029 --> 01:37:44,030
and you look at the display and it says

2325
01:37:44,030 --> 01:37:45,990
QT on it, you'll start: please, please

2326
01:37:45,990 --> 01:37:50,036
please oh please
please let it be him please

2327
01:37:50,036 --> 01:37:51,746
You know and...

2328
01:37:51,746 --> 01:37:53,915
hello And he says, "Hi.

2329
01:37:53,915 --> 01:37:55,458
Um, I have something I'd like to give you to read."

2330
01:37:55,458 --> 01:37:56,751
And you're done.

2240
01:37:58,278 --> 01:38:05,337
"I wonder
 Did I try hard enough?
 Did I focus enough?
 Have I sacrificed my life enough?

 That's why I'm here, now"
                          QT

2241
1:38:06,000 --> 1:38:11,000
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